If we all knew each morning that there was going to be another morning, and on and on and on, we's tend not to notice the sunrise, or hear the birds, or the waves rolling into the shore. We'd tend not to treasure our time with the people we love. Simply the awareness that our mortal lives had a beginning and will have an end enhances the quality of our living. Perhaps it's even more intense when we know that the termination of the body is near, but it shouldn't be.
I Don’t Know whether lust is a human coarseness or a human fineness: I don’t know why death holds a so sweet lure since it would take away my Body: I don’t know that I wouldn’t deny my Christ, if I had one, three times before a given cockcrow: I don’t know on the other hand that I would: I don’t know whether honor is a reality in human beings or a pose: I don’t know that I mayn’t be able to think with my Body when it is in its coffin.
Every subject's duty is the King's; but every subject's soul is his own. Therefore, should every soldier in the wars do as every sick man in his bed, wash every mote out of his conscience; and dying so, death is to him advantage; or not dying, the time was blessedly lost wherein such preparation was gained; and in him that escapes, it were no sin to think that, making God so free an offer, He let him outlive the day to see His greatness and to teach others how they should prepare.
I wish I could leave you certain of the images in my mind, because they are so beautiful that I hate to think they will be extinguished when I am. Well, but again, this life has its own mortal loveliness. And memory is not strictly mortal in its nature, either. It is a strange thing, after all, to be able to return to a moment, when it can hardly be said to have any reality at all, even in its passing. A moment is such a slight thing. I mean, that its abiding is a most gracious reprieve.
The decision to be positive is not one that disregards or belittles the sadness that exists. It is rather a conscious choice to focus on the good and to cultivate happiness--genuine happiness. Happiness is not a limited resource. And when we devote our energy and time to trivial matters, and choose to stress over things that ultimately are insignificant. From that point, we perpetuate our own sadness, and we lose sight of the things that really make us happy and rationalize our way out of doing amazing things.
The song is an unvarnished love shout, an implorement tinged with...anger? Something like anger, but the anger of a philosoher, the anger of a pot. An anger directed at the transience of the world, at its heartbreaking beauty that collides constantly with our awareness of the fact that everything gets taken away, that we're being shown marvels but reminded always that they don't belong to us. They're sultans' treasures; we're lucky, we're expected to feel lucky to have been invited to see them at all.
I know what's wrong with me - I could never stand still for death! Which you've got to do by a certain age, or be ridiculous - you've got to stand there nobly and serene, and let death run his tape on your arms and around your belly and up your crotch until he's got you fitted for that black suit. And I can't, I won't!... So I'm left with wrestling with this anachronistic energy which God has charged me with and I will use it till the dirt is shoveled in my mouth! Life! Life! Fuck death and dying!
To be the father of growing daughters is to understand something of what Yeats evokes with his imperishable phrase 'terrible beauty.' Nothing can make one so happily exhilarated or so frightened: it's a solid lesson in the limitations of self to realize that your heart is running around inside someone else's body. It also makes me quite astonishingly calm at the thought of death: I know whom I would die to protect and I also understand that nobody but a lugubrious serf can possibly wish for a father who never goes away.
The simple view is that medicine exists to fight death and disease, and that is, of course, its most basic task. Death is the enemy. But the enemy has superior forces. Eventually, it wins. And, in a war that you cannot win, you don't want a general who fights to the point of total annihilation. You don't want Custer. You want Robert E. Lee, someone who knew how to fight for territory when he could and how to surrender when he couldn't, someone who understood that the damage is greatest if all you do is fight to the bitter end.
You live as if you were destined to live forever, no thought of your frailty ever enters your head, of how much time has already gone by you take no heed. You squander time as if you drew from a full and abundant supply, so all the while that day which you bestow on some person or thing is perhaps your last. You have all the fears of mortals and all the desires of immortals… What foolish forgetfulness of mortality to defer wise resolutions to the fiftieth or sixtieth year, and to intend to begin life at a point to which few have attained.
Yet at the last Beren was slain by the Wolf that came from the gates of Angband, and he died in the arms of Tinúviel. But she chose mortality, and to die from the world, so that she might follow him; and it is sung that they met again beyond the Sundering Seas, and after a brief time walking alive once more in the green woods, together they passed, long ago, beyond the confines of this world. So it is that Lúthien Tinúviel alone of the Elf-kindred has died indeed and left the world, and they have lost her whom they most loved.
Holly steps back. Being warned about a ghost and seeing him are not the same. 'What did they do to you?'Some of the Anchorites laugh. Hugo looks back at his long-ago lover. 'They'-he looks about the Chapel-'cured me. They cured me of a terrible wasting disease called mortality. There's a lot of it about. The young hold out for a time, but eventually even the hardiest patient gets reduced to a desiccated embryo, a Strudlebug...a veined, scrawny, dribbling...bone clock, whose face betrays how very, very little time they have left.
We know summer is the height of of being alive. We don't believe in God or the prospect of an afterlife mostly, so we know that we're only given eighty summers or so per lifetime, and each one has to be better then the last, has to encompass a trip to that arts center up at Bard, a seemingly mellow game of badminton over at some yahoo's Vermont cottage, and a cool, wet, slightly dangerous kayak trip down an unforgiving river. Otherwise, how would you know that you have lived your summertime best? What is you missed out on some morsel of shaded nirvana?
Having always observed that most of them who constantly took in the weekly Bills of Mortality made little other use of them than to look at the foot how the burials increased or decreased, and among the Casualties what had happened, rare and extraordinary, in the week current; so as they might take the same as a Text to talk upon in the next company, and withal in the Plague-time, how the Sickness increased or decreased, that the Rich might judge of the necessity of their removal, and Trades-men might conjecture what doings they were likely to have in their respective dealings.
Many writers, especially male ones, have told us that it is the decease of the father which opens the prospect of one's own end, and affords an unobstructed view of the undug but awaiting grave that says 'you're next.' Unfilial as this may seem, that was not at all so in my own case. It was only when I watched Alexander [my own son] being born that I knew at once that my own funeral director had very suddenly, but quite unmistakably, stepped onto the stage. I was surprised by how calmly I took this, but also by how reluctant I was to mention it to my male contemporaries.
