Let not the rash marble riskgarrulous breaches of oblivion's omnipotence,in many words recallingname, renown, events, birthplace.All those glass jewels are best left in the dark.Let not the marble say what men do not.The essentials of the dead man's life--the trembling hope,the implacable miracle of pain, the wonder of sensual delight--will abide forever.Blindly the uncertain soul asks to continuewhen it is the lives of others that will make that happen,as you yourself are the mirror and imageof those who did not live as long as youand others will be (and are) your immortality on earth.

The foundation of morality on the human sentiments of what is acceptable behavior versus repulsive behavior has always made morals susceptible to change. Much of what was repulsive 100 years ago is normal today, and - although it may be a slippery slope - what is repulsive today is possible to be normal 100 years into tomorrow; the human standard has always been but to push the envelope. In this way, all generations are linked, and one can only hope that every extremist, self-proclaimed progressive is considering this ultimate 'Utopia' to which his kindness will lead at the end of the chain.

It was a part of myself that was my enemy; I still had a childish illusion that the flesh on my own bones was somehow unique and precious to the universe, in some obscure corner of my mind I wanted the others to love me and make exceptions for me simply because I felt heat and cold, pain and loneliness as they did. Now this was gone once and for all, and I understood there were no exceptions and on one was invulnerable, we all had to share the same conditions and in the end this was simply mortality, the mortality of things as well as ourselves. After that I didn't expect anybody to love me...

I write this in the moonlight, straining my ears to hear beyond the cold mechanical clock to the warm biological noises of the night, but my being is attuned only to one thing, the relentless rhythm of time.If I could only smash the clock and stop time from advancing! Crush the infernal machine! Shatter its bland face and rip those cursed hands from their torturous axis of circumscription! I can almost feel the sturdy metal body crumpling beneath my hands, the glass fracturing, the case cracking open, my fingers digging into the guts, spilling springs and delicate gearing. But now, there is now use, now way of stopping time.

Idag samlar vi skor och bilar, igår flintyxor. Utan tvivel har arkeologer funnit betydligt fler flintyxor än vad människan rimligtvis behövde. Jag tror att flintyxorna handlar om en längtan, kanske en rädsla. Om jag bara har tillräckligt många flintyxor, eller skor, eller ett nyrenoverat kök så kan inget ont hända. Det är den där dödsångesten igen. Den otäcka insikten att allt, allt, allt är förgängligt. Jag kommer att dö, men mina flintyxor kommer att finnas kvar. (Och de fanns ju kvar, eller hur? Men vad hjälper det?)

Come here, let me share a bit of wisdom with you.Have you given much thought to our mortal condition?Probably not. Why would you? Well, listen.All mortals owe a debt to death.There's no one alivewho can say if he will be tomorrow.Our fate moves invisibly! A mystery.No one can teach it, no one can grasp it.Accept this! Cheer up! Have a drink!But don't forget Aphrodite--that's one sweet goddess.You can let the rest go. Am I making sense?I think so. How about a drink.Put on a garland. I'm surethe happy splash of wine will cure your mood.We're all mortal you know. Think mortal.Because my theory is, there's no such thing as life,it's just catastrophe.

I believe that when I die I shall rot, and nothing of my ego will survive. I am not young and I love life. But I should scorn to shiver with terror at the thought of annihilation. Happiness is nonetheless true happiness because it must come to an end, nor do thought and love lose their value because they are not everlasting. Many a man has borne himself proudly on the scaffold; surely the same pride should teach us to think truly about man's place in the world. Even if the open windows of science at first make us shiver after the cosy indoor warmth of traditional humanizing myths, in the end the fresh air brings vigour, and the great spaces have a splendour of their own.

Sometimes it seemed as if he'd always been very old. People said that time lasted for ever when you were young. That was lies. Lies and rosy spectacles. His spectacles were steel frames and time was those tattoos on Vasco's arm. They were more like time than anything else. Once, in the Empire of Junk, he'd seen an hour-glass. Now that came closest to the truth. Except you could turn it upside down and start again. So that was lies too. The sand should run out the first time, run right out. Once, and once only. Time wasn't outside you, it was inside. [...] Time was something that went bad, like fruit. To be used before it was all used up. Though, for most people, the only way to live was to deny that.

An evolutionary perspective of our place in the history of the earth reminds us that Homo sapiens sapiens has occupied the planet for the tiniest fraction of that planet's four and a half thousand million years of existence. In many ways we are a biological accident, the product of countless propitious circumstances. As we peer back through the fossil record, through layer upon layer of long-extinct species, many of which thrived far longer than the human species is ever likely to do, we are reminded of our mortality as a species. There is no law that declares the human animal to be different, as seen in this broad biological perspective, from any other animal. There is no law that declares the human species to be immortal.

Phoebe asked me, "Tell me, what do you think of the afterlife?"I was a bit nonplussed. I had no idea what she thought, but I knew that the question must be of greater interest to someone of her age than to me. But our conversation had been completely honest, and before I could speak, honesty and tact had joined hands in my answer. "I have no faith at all," I said, "but sometimes I have hope."I rather think," she replied, "that total annihilation is the most comfortable position."I was shaken. The horse clopped on. The children laughed behind us.When I die," she said, "I don't expect to see any of my loved ones again. I'll just become a part of all this." She waved her hand at the surrounding countryside. "That's all right with me.

She was someone who heard each grain in the hour-glass, she felt the passing seconds like sandpaper against her softest skin. Time actually seemed to hurt her, and people helped her get through it. [..] Sometimes it seemed to Nathan that her life was just that, a feat of held breath, just another ten seconds, just another five, and then death would flood her lungs like water, a string of glass bubbles to the surface and then nothing. She was scared in a way that he could understand. The kind of fear that sends you running across a six-lane highway or jumping into rapids. She was someone who ran towards her fear, screaming. Who tried to frighten it. Who, in another period of history, would have been worshipped as a saint or burned as a witch.

I should like to ask you:-Does your childhood seem far off? Do the days when you sat at your mother's knee, seem days of very long ago?"Responding to his softened manner, Mr. Lorry answered:"Twenty years back, yes; at this time of my life, no. For, as I draw closer to the end, I travel in the circle, nearer and nearer to the beginning. It seems to be one of the kind smoothings and preparings of the way. My heart is touched now, by my many remembrances that had long fallen asleep, of my pretty young mother (and I so old!), and by many associations of the days when what we call the World was not so real with me, and my faults were not confirmed in me." "I understand the feeling!" exclaimed Carton, with a bright flush. "And you are the better for it?""I hope so.

Dès que Séraphine l'a laissé seul, Gontran se jette à genoux au pied du lit ; il enfonce son front dans les draps, mais ne parvient pas à pleurer ; aucun élan ne soulève son cœur. Ses yeux désespérément restent secs. Alors il se relève. Il regarde ce visage impassible. Il voudrait, en ce moment solennel, éprouver je ne sais quoi de sublime et de rare, écouter une communication de l'au-delà, lancer sa pensée dans des régions éthérées,suprasensibles - mais elle reste accrochée, sa pensée, au ras du sol. Il regarde les mains exsangues du mort, et se demande combien de temps encore les ongles continueront de pousser.

A Cathedral Façade at MidnightAlong the sculptures of the western wallI watched the moonlight creeping:It moved as if it hardly moved at allInch by inch thinly peepingRound on the pious figures of freestone, broughtAnd poised there when the Universe was wroughtTo serve its centre, Earth, in mankind’s thought.The lunar look skimmed scantly toe, breast, arm,Then edged on slowly, slightly,To shoulder, hand, face; till each austere formWas blanched its whole length brightlyOf prophet, king, queen, cardinal in state,That dead men’s tools had striven to simulate;And the stiff images stood irradiate.A frail moan from the martyred saints there setMid others of the erectionAgainst the breeze, seemed sighings of regretAt the ancient faith’s rejectionUnder the sure, unhasting, steady stressOf Reason’s movement, making meaningless.

What indeed is the half-life of a mortal consciousness? What is the half-life of a memory of that mortal consciousness? Of course, this is purely an academic question and of no immediate concern to those of us existing in the world of the living, for we possess already a memory, in its stead, which serves as a basis of our perception of the past. Accurate or not, this nature of memory allows us to understand the past according to the positions occupied by the flesh about which we seek to know, but, unfortunately, not in a way relative to the flesh itself—that flesh stripped of identity and circumstance, that flesh which, in its most rudimentary capacity, had once collided, interacted, fought, competed, negotiated, cooperated, and mated with other flesh: there is no history of this kind, thoroughly naked and telling enough, which is accessible to us, for we are composed of the very same substance, the very same flesh, and sadly incapable of stepping outside of it, even momentarily.