The supernatural worldview is causing a great number of otherwise intelligent people to cling to a collection of atavistic concepts that have not, and never will serve humanity in any ultimately beneficial way. Any benefits that spirituality ostensibly provides to its adherents, can be found equally in the worldview of philosophy and ethics, communities of other kinds, and so on. It's a myth that the only morality, hope, purpose and comfort to be found, resides only in the supernatural.

Know, child, that the One God—He is so vast that He cannot be moved, else the Universe falls. Nor can He answer, for the very act of opening His Mouth is Movement, indeed the greatest Act of all, for it is the Word. And this is precisely why He has made an infinity of lesser gods, creating them in His own image, so that we can do the lesser things on His behalf. We are His hands and arms and feet and mouths. We are His answers to your prayers, enacted along the great Framework of Being.

Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road. . . .

Well, this is only a story, isn't it? I mean, our patrons, anyone who comes to this park, are they going to take this to heart, Mister Shake?'They'll take what pieces they want, and everything gets a little skewed. That's how these things work, Freddy. Who knows? In ten years' time, Elijah Zallman Ickack may see through walls. Once in the park, they're locked into some idea of what made it, and that's the thing. In the meantime, the long-lost-nephew must have something to say.

We are meaning-seeking creatures. Dogs, as far as we know, do not agonise about the canine condition, worry about the plight of dogs in other parts of the world, or try to see their lives from a different perspective. But human beings fall easily into despair, and from the very beginning we invented stories that enabled us to place our lives in a larger setting, that revealed an underlying pattern, and gave us a sense that, against all the depressing and chaotic evidence to the contrary, life had meaning and value

The value of the myth is that it takes all the things we know and restores to them the rich significance which has been hidden by ‘the veil of familiarity.’ The child enjoys his cold meat, otherwise dull to him, by pretending it is buffalo, just killed with his own bow and arrow. And the child is wise. The real meat comes back to him more savory for having been dipped in a story…by putting bread, gold, horse, apple, or the very roads into a myth, we do not retreat from reality: we rediscover it.

One the one hand, our economists treat human beings as rational actors making choices to maximize their own economic benefit. On the other hand, the same companies that hire those economists also pay for advertising campaigns that use the raw materials of myth and magic to encourage people to act against their own best interests, whether it's a matter of buying overpriced fizzy sugar water or the much more serious matter of continuing to support the unthinking pursuit of business as usual in the teeth of approaching disaster.

A stubborn refusal of the conditions of 20th Century 'reality', surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth. In approaching literature, it has aimed at restoring to the word its magical qualities. And at giving back to language the elemental power it once had within society. This determinism lies at the heart of the surrealist attitude and distinguishes it radically from the modernism which took shape contemporaneously with it.

We are condemned to be modern. We can’t escape the facts of our history or of living in an age dominated by instrumental rationality, even as we look for ways out of it... But it has become our historic responsibility to acknowledge the continuing importance of myth, at a level beyond science, in realizing a more organic, holistic relation to the world. A future social ecology would transcend both anti-Enlightenment reaction and [a] reified Enlightenment counter-reaction, which remain only fragmented polarities within bourgeois modernity.

Can you surf really well, then?"I looked at Grover, who was trying hard not to laugh."Jeez, Nico," I said. "I've never really tried."He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.)

She told us about the goddess called Persephone, who was forced to spend half a year in the darkness deep underground. Winter happened when she was trapped inside the earth. The days shrank, they became cold and short and dark. Living things hid themselves away. Spring came when she was released and made her slow way up to the world again. The world became brighter and bolder in order to welcome her back. It began to be filled with warmth and light. The animals dared to wake, they dared to have their young. Plants dared to send out buds and shoots. Life dared to come back.

There were two forests for every one you entered. There was the one you walked in, the physical echo, and then there was the one that was connected to all the other forests, with no consideration of distance, or time. The forest primeval, remembered through the collective memory of every tree in the same way that people remembered myth- through the collective subconscious that Jung mapped, the shared mythic resonance that lay buried in every human mind. Legend and myth, all tangled in an alphabet of trees remembered, not always with understanding, but with wonder. With awe.

In Pliny I read about the invention of clay modeling. A Sicyonian potter came to Corinth. There his daughter fell in love with a young man who had to make frequent long journeys away from the city. When he sat with her at home, she used to trace the outline of his shadow that a candle’s light cast on the wall. Then, in his absence she worked over the profile, deepening, so that she might enjoy his face, and remember. One day the father slapped some potter’s clay over the gouged plaster; when the clay hardened he removed it, baked it, and "showed it abroad" (63).

It's perfectly clear to me that religion is a myth. It's something we have invented to explain the inexplicable. My religion and the spiritual side of my life come from a sense of connection to the humankind and nature on this planet and in the universe. I am in overwhelming awe of it all: It is so fantastic, so complex, so beyond comprehension. What does it all mean -- if it has any meaning at all? But how can it all exist if it doesn't have some kind of meaning? I think anyone who suggests that they have the answer is motivated by the need to invent answers, because we have no such answers.

A swishing is often heard in the Carpathians, the sound as of a thousand mill wheels turning in the water. It is the dead men gnawing at the dead man, in the abyss without issue, which no man has ever seen, fearing to pass near it. It happens not seldom in the world that the earth shakes from one end to the other: learned people say it is because somewhere by the sea there is a mountain out of which flames burst and burning rivers flow. But the old men who live in Hungary and the land of Galicia know better and say that the earth shakes because there is a dead man grown great and huge in it who wants to rise.