I suppose that's how it looks in prose. But it's very different if you look at it through poetry…and I think it's nicer…' Anne recovered herself and her eyes shone and her cheeks flushed… 'to look at it through poetry.

When When it’s over, it’s over, and we don’t know any of us, what happens then.So I try not to miss anything.I think, in my whole life, I have never missed The full moonor the slipper of its coming back.Or, a kiss.Well, yes, especially a kiss.

I'm nobody! Who are you? Are you nobody, too? Then there ’s a pair of us—don’t tell! They ’d banish us, you know. How dreary to be somebody! How public, like a frog To tell your name the livelong day To an admiring bog!

Some days I wake upand all I feelare the fracturesin the flesh that coversthe only meI've ever known.Some days,it's those exact fissuresthat let the lighthiding inside mepour outand coverin goldeveryonethat found enough beautyin the cracksto standclose.

The masters of information have forgotten about poetry, where words may have a meaning quite different from what the lexicon says, where the metaphoric spark is always one jump ahead of the decoding function, where another, unforeseen reading is always possible.

To those who abuse: the sin is yours, the crime is yours, and the shame is yours. To those who protect the perpetrators: blaming the victims only masks the evil within, making you as guilty as those who abuse. Stand up for the innocent or go down with the rest.

Right words are born in courage, which results from our struggle to make sense of our various predicaments. Cheer is what words are "trying to tell us/... It's native to the words/and what they want us always to know/even when it seems quite impossible to do.

Lives of great men all remind usWe can make our lives sublime,And, departing, leave behind usFootprints on the sands of time;Footprints, that perhaps another,Sailing o'er life's solemn main,A forlorn and shipwrecked brother,Seeing, shall take heart again.

Those ancients who in poetry presented the golden age, who sang its happy state,perhaps, in their Parnassus, dreamt this place. Here, mankind's root was innocent; and herewere every fruit and never-ending spring; these streams--the nectar of which poets sing.

We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness. We trust that the moon shall guide us. We are determining the future at this very moment. We know that the heart is the philosopher's stone. Our music is our alchemy.

Afoot and light-hearted I take to the open road.Healthy, free, the world before me.The long brown path before me leading me wherever I choose.Henceforth, I ask not good fortune, I myself am good fortune.Henceforth, I whimper no more, postpone no more, need nothing.

Ey tâlih! Ölümden de beterdir bu karanlık;Ey aşk! O gönüller sana mâl oldular artık;Ey vuslat! O âşıkları efsûnuna râm et!Ey tatlı ve ûlvi gece! Yıllarca devâm et!

Thus weary of the world, away she hies,And yokes her silver doves; by whose swift aidTheir mistress mounted through the empty skiesIn her light chariot quickly is convey'd;Holding their course to Paphos, where their queenMeans to immure herself and not be seen.

someone's senta loving notein lines of returning geeseand as the moon fillsmy western chamberas petals danceover the flowing streamagain I think of youthe two of usliving a sadnessaparta hurt that can't be removedyet when my gaze comes downmy heart stays up

Wise wretch! with pleasures too refined to please,With too much spirit to be e'er at ease,With too much quickness ever to be taught,With too much thinking to have common thought:You purchase pain with all that joy can give,And die of nothing but a rage to live.