Wild Nights – Wild Nights!Were I with theeWild Nights should beOur luxury!Futile – the winds –To a heart in port –Done with the compass –Done with the chart!Rowing in Eden –Ah, the sea!Might I moor – Tonight –In thee!

Authors can write stories without people assuming that they are autobiographies, but songwriters and poets are often considered to be the characters in their works. I like Michelangelo's vision, 'I saw the angel in the marble and carved until I set him free.

Old age doth in sharp pains abound;We are belabored by the gout,Our blindness is a dark profound,Our deafness each one laughs about.Then reason's light with falling rayDoth but a trembling flicker cast.Honor to age, ye children pay!Alas! my fifty years are past!

The appropriation of the creativity-procreativity metaphor by women is a conscious challenge to traditional poetics and beyond that to traditional metaphysics, for the gynocentric vision is not that Logos condescends to incarnate itself, but that Flesh becomes Word.

If what we need to dream, to move our spirits most deeply and directly toward and through promise, is discounted as a luxury, then we give up the core -- the fountain -- of our power, our womanness; we give up the future of our worlds. (From "Poetry is Not a Luxury")

Though much is taken, much abides; and thoughWe are not now that strength which in old daysMoved earth and heaven, that which we are, we are;One equal temper of heroic hearts,Made weak by time and fate, but strong in willTo strive, to seek, to find, and not to yield.

But one kiss levitates above all the others. Theintersection of function and desire. The I do kiss.The I’ll love you through a brick wall kiss.Even when I’m dead, I’ll swim through the Earth,like a mermaid of the soil, just to be next to your bones.

I nodded, trying to imagine the very particular sadness of a vanished childhood yogurt now found only in France. It was a very special sort of sadness, individual, and in its inability to induce sympathy, in its tuneless spark, it bypassed poetry and entered science.

سريري غيمة ووسادتي من نجوم وقلبي نصف قمر مضيء

ولأنني رغم القبور..ورغم موت الأرضأرفض أن أموت

I searched for my own heartand long after I had lost my wayin the days trailing past with their foliagein the aloof sky blue with distanceI thought I'd find my heartwhere I'd kept your eyes two brown butterfliesand I saw the swallows swoopand shadows starlings

Isn’t it time that these most ancient sorrows of ours grew fruitful? Time that we tenderly loosed ourselves from the loved one, and, unsteadily, survived: the way the arrow, suddenly all vector, survives the string to be more than itself. For abiding is nowhere.

The breezes at dawn have secrets to tell youDon't go back to sleep!You must ask for what you really want.Don't go back to sleep!People are going back and forth across the doorsill where the two worlds touch,The door is round and openDon't go back to sleep!

Into the nothingness of scorn and noise, Into the living sea of waking dreams, Where there is neither sense of life or joys, But the vast shipwreck of my life’s esteems; Even the dearest that I loved the best Are strange—nay, rather, stranger than the rest.

A garden should make you feel you've entered privileged space -- a place not just set apart but reverberant -- and it seems to me that, to achieve this, the gardener must put some kind of twist on the existing landscape, turn its prose into something nearer poetry.