Come boy, and pour for me a cupOf old Falernian. Fill it upWith wine, strong, sparkling, bright, and clear;Our host decrees no water here.Let dullards drink the Nymph's pale brew,The sluggish thin their blood with dew.For such pale stuff we have no use;For us the purple grape's rich juice.Begone, ye chilling water sprite;Here burning Bacchus rules tonight!
The TaxiWhen I go away from youThe world beats deadLike a slackened drum.I call out for you against the jutted starsAnd shout into the ridges of the wind.Streets coming fast,One after the other,Wedge you away from me,And the lamps of the city prick my eyesSo that I can no longer see your face.Why should I leave you,To wound myself upon the sharp edges of the night?
I believe in being a poet in all moments of life. Being a poet means being human. I know some poets whose daily behavior has nothing to do with their poetry. In other words, they are only poets when they write poetry. Then it is finished and they turn into greedy, indulgent, oppressive, shortsighted, miserable, and envious people. Well, I cannot believe their poems
The UnchangingSun-swept beaches with a light wind blowingFrom the immense blue circle of the sea,And the soft thunder where long waves whiten—These were the same for Sappho as for me.Two thousand years—much has gone by forever,Change takes the gods and ships and speech of men—But here on the beaches that time passes overThe heart aches now as then.
Once upon a time, son, they used to laugh with their hearts and laugh with their eyes; but now they only laugh with their teeth, while their ice-block-cold eyes search behind my shadow. There was a time indeed they used to shake hands with their hearts; but that’s gone, son. Now they shake hands without hearts while their left hands search my empty pockets.
The bridge will only take you halfway there, to those mysterious lands you long to see. Through gypsy camps and swirling Arab fair, and moonlit woods where unicorns run free. So come and walk awhile with me and share the twisting trails and wondrous worlds I've known. But this bridge will only take you halfway there. The last few steps you have to take alone.
See it was like this when we waltz into this place.A couple of papish cats is doing an Aztec two-stepAnd I says Dad let's cutbut then this dame comes up behind me see and says you and me could really existWow I says Only the next day she has bad teeth and really hates poetry.
This is the hour I hide everythingBehind my eyesTo see if you can seeAll the trouble my brain's been brewing. Yes, I feel I am the worst and you are the bestAnd yet, and yet, Nothing bad unfolds as we sit,Young and nervous, Alive and bursting,With futures that may not entwine.Who am I?Who am I to sabotage what may be too smallFor even chaos to noticeAnd disassemble?
The secret of poetry is never explained - is always new. We have not got farther than mere wonder at the delicacy of the touch, & the eternity it inherits. In every house a child that in mere play utters oracles, & knows not that they are such. 'Tis as easy as breath. 'Tis like this gravity, which holds the Universe together, & none knows what it is.
You darkness, that I come from,I love you more than all the firesthat fence in the world,for the fire makesa circle of light for everyone,and then no one outside learns of you.But the darkness pulls in everything:shapes and fires, animals and myself,how easily it gathers them! -powers and people -and it is possible a great energyis moving near me.I have faith in nights.
When the lad for longing sighs,Mute and dull of cheer and pale,If at death's own door he lies,Maiden, you can heal his ail.Lovers' ills are all to buy:The wan look, the hollow tone,The hung head, the sunken eye,You can have them for your own.Buy them, buy them: eve and mornLovers' ills are all to sell.Then you can lie down forlorn;But the lover will be well.
أخرج لا لشيءأعود محملة بدفاترجميعها زرقاءكل واحد منها يشبهني
Extinguish my eyes, I'll go on seeing you.Seal my ears, I'll go on hearing you.And without feet I can make my way to you,without a mouth I can swear your name.Break off my arms, I'll take hold of youwith my heart as with a hand.Stop my heart, and my brain will start to beat.And if you consume my brain with fire,I'll feel you burn in every drop of my blood.
The Arden Shakespeare is intended both as a student text and as a revision of traditional scholarship. If it is to be used in the first way, then the often narrow thread of text above a sediment of footnotes, something Dr Leavis so deplored, can prove debilitating. Poems, especially the classics of our language, should be read headlong. Dubieties may be looked up later.
Something about the turbulence of adolescence makes you want to do something creative...I thought as I got older I would stop writing about it, but I find adolescence, and popular depictions of it, very interesting. I like to see where my own life intersects or diverges from notions of what a teenager is supposed to be, or what a black person is supposed to be, or a woman.
