I versi partono da una testa e arrivano ad un’altra su una traiettoria invisibile e producono la vita impalpabile delle emozioni: graffi sull’anima prodotti da sogni lucidi che lanciano una solida gomena fra quello che siamo e quello che siamo stati, fra noi e noi a ricordarci che la via più breve, dalla testa al cuore, è sempre un’arabesco.
It was not like everyone had said.Not like being needed,or needing; not desperate;it did not whisperthat I'd come to harm. I didn't losemy head. No, I was notgoing to leap from a greatheight and flapmy wings.It was in factthe opposite of flying:it contained the wishto be toppled, to be on the floor,the ground, anywhere I mightlie down. . . .On my back, and you on me.
The Night Is Darkening Round MeThe night is darkening round me, The wild winds coldly blow; But a tyrant spell has bound me, And I cannot, cannot go. The giant trees are bending Their bare boughs weighed with snow; The storm is fast descending, And yet I cannot go. Clouds beyond clouds above me, Wastes beyond wastes below; But nothing drear can move me; I will not, cannot go.
Want of imagination makes things unreal enough to be destroyed. By imagination I mean knowledge and love. I mean compassion. People of power kill children, the old send the young to die, because they have no imagination. They have power. Can you have power and imagination at the same time? Can you kill people you don’t know and have compassion for them at the same time?
Nor do we merely feel these essences for one short hour no, even as these trees that whisper round a temple become soon dear as the temples self, so does the moon, the passion posey, glories infinite, Haunt us till they become a cheering light unto our souls and bound to us so fast, that wheather there be shine, or gloom o'er cast, They always must be with us, or we die.
[Short Talk on Sylvia Plath] Did you see her mother on television? She said plain, burned things. She said I thought it an excellent poem but it hurt me. She did not say jungle fear. She did not say jungle hatred wild jungle weeping chop it back chop it. She said self-government she said end of the road. She did not say humming in the middle of the air what you came for chop.
By giving words the latitude she does, (Marianne) Van Hirtum emphasizes their contagious qualities: they become almost like viruses, with which it is necessary to put oneself in harmony by sympathetic magic if one is not to be overwhelmed. ... What is essential is to become one with the sickness, that is, in the context of language as a whole, to enter into contact with words.
Results and RosesThe man who wants a garden fair,or small or very big,With flowers growing here and there,Must bend his back and dig.The things are mighty few on earthThat wishes can attain.Whate'er we want of any worthWe've got to work to gain.It matters not what goal you seek,It's secret here reposes:You've got to dig from week to weekTo get Results or Roses.
In an age when nations and individuals routinely exchange murder for murder, when the healing grace of authentic spirituality is usurped by the divisive politics of religious organizations, and when broken hearts bleed pain in darkness without the relief of compassion, the voice of an exceptional poet producing exceptional work is not something the world can afford to dismiss.
Although I've written a few (a very few) poems over the years, I am not a natural poet...and I remain in awe of people who are. The ability to evoke deep emotion, reveal a new facet of the world, or condense an entire story into the limited space and form of a poem (or likewise, of a good song lyric, or the text for a children's picture book) seems like pure magic to me.
Here is Menard's own intimate forest: 'Now I am traversed by bridle paths, under the seal of sun and shade...I live in great density...Shelter lures me. I slump down into the thick foliage...In the forest, I am my entire self. Everything is possible in my heart just as it is in the hiding places in ravines. Thickly wooded distance separates me from moral codes and cities.
The skies bend, the time stops, the lanes move and the fires dance,It can mean only one thing that I am with you.You are enigmatic yet so beautiful that I have lost my sense, You are as immaculate as the unadulterated morning dew And your beauty leaves me in a mystified trance.I do not foresee what you and I will beBut I promise to be with you till the rocks keep meeting the sea.
Interior of the hand. Sole that has come to walkonly on feelings. That faces upwardand in its mirrorreceives heavenly roads, which travelalong themselves.That has learned to walk upon waterwhen it scoops,that walks upon wells,transfiguring every path.That steps into other hands,changes those that are like itinto a landscape:wanders and arrives within them,fills them with arrival.
You know, there are good reasons to learn how to read. Poetry isn't one of them. I mean, so what if two roads go two ways in a wood? So what? Who cares if it made all that big a difference? What difference? And why should I have to guess what the difference is? Isn't that what he's supposed to say?Why can't poets just say what they want to say and then shut up?
I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words.
