أزرق هذا الماء، داكن أحيانا وفاتح أحيانا أخرىيتدرج بدرجات أغطية رأسي الملونة

To use the term 'clerk' as an insult is simply a banal vulgarity; Pessoa and Svevo, however would have welcomed it as a just attribute of the poet. The latter does not resemble Achilles or Diomedes, ranting on their war-chariots, but is more like Ulysses, who knows that he is no one. He manifests himself in this revelation of impersonality that conceals him in the prolixity of things, as travelling erases the traveller in the confused murmur of the street.

He granted its due share to everything equally, drawing from everything only what was beautiful in it, and in the end left himself only the divine Raphael as a teacher. So a great poetic artist, having read many different writings filled with much delight and majestic beauty, in the end might leave himself, as his daily reading, only Homer's Iliad, having discovered that there is nothing that has not already been reflected in its profound and great perfection.

If you come as softlyAs wind within the treesYou may hear what I hearSee what sorrow sees.If you come as lightlyAs threading dewI will take you gladlyNor ask more of you.You may sit beside meSilent as a breathOnly those who stay deadShall remember death.And if you come I will be silentNor speak harsh words to you.I will not ask you why, now.Or how, or what you do.We shall sit here, softlyBeneath two different yearsAnd the rich earth between usShall drink our tears.

Thirsty for being, the poet ceaselessly reaches out to reality, seeking with the indefatigable harpoon of the poem a reality that is always better hidden, more re(g)al. The poem’s power is as an instrument of possession but at the same time, ineffably, it expresses the desire for possession, like a net that fishes by itself, a hook that is also the desire of the fish. To be a poet is to desire and, at the same time, to obtain, in the exact shape of the desire.

All war is based in deception (cfr. Sun Tzu, “The Art of War”).Definition of deception: “The practice of deliberately making somebody believe things that are not true. An act, a trick or device entended to deceive somebody”.Thus, all war is based in metaphor.All war necessarily perfects itself in poetry.Poetry (since indefinable) is the sense of seduction.Therefore, all war is the storytelling of seduction, and seduction is the nature of war.

I went to the Garden of Love, And saw what I never had seen: A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And 'Thou shalt not' writ over the door; So I turn'd to the Garden of Love, That so many sweet flowers bore. And I saw it was filled with graves, And tomb-stones where flowers should be: And Priests in black gowns, were walking their rounds, And binding with briars, my joys & desires.

I now wish that I had spent somewhat more of my life with verse. This is not because I fear having missed out on truths that are incapable of statement in prose. There are no such truths; there is nothing about death that Swinburne and Landor knew but Epicurus and Heidegger failed to grasp. Rather, it is because I would have lived more fully if I had been able to rattle off more old chestnuts — just as I would have if I had made more close friends.

Ask him why there are hypocrites in the world.''Because it is hard to bear the happiness of others.''When are we happy?''When we desire nothing and realize that possession is only momentary, and so are forever playing.''What is regret?''To realize that one has spent one's life worrying about the future.''What is sorrow?''To long for the past.''What is the highest pleasure?''To hear a good story.

I'm like the weather, never really can predict when this rain cloud's gonna burst; when it's the high or it's the low, when you might need a light jacket.Sometimes I'm the slush that sticks to the bottom of your work pants, but I can easily be the melting snowflakes clinging to your long lashes.I know that some people like:sunny and seventy-five,sunny and seventy-five,sunny and seventy-five,but you take me as I am and neverforget to pack an umbrella.

... Up telephone poles, Which rear, half out of leavageAs though they would shriekLike things smothered by their ownGreen, mindless, unkillable ghosts.In Georgia, the legend saysThat you must close your windowsAt night to keep it out of the houseThe glass is tinged with green, even so,As the tendrils crawl over the fields.The night the Kudzu hasYour pasture, you sleep like the dead.Silence has grown orientalAnd you cannot step upon the ground...ALL: Kudzu by James Dickey

How are you supposed to know what to read next? This is the question that keeps us up at night, so at Day One our mission is to feed an audience of literature-hungry, time-constrained readers like you with a weekly lineup of talented authors, poets, and artists that we believe you will love. And if we can identify some of the next generation of literary stars, and cultivate an appreciation for transformative poetry and fiction, then frankly we will sleep better at night.

Le vin est la gaieté, dit-on ; comment cet océan de vin qui submerge la commune de Bercy n’égaye-t-il pas un peu ces navrants paysages ? Tout Bacchus est là ; Bacchus, chanté avec tant de constance par nos poètes ébriolants. Bacchus ne peut-il rasséréner ces horizons en deuil ? ou faut-il croire que Bacchus lui-même, ennemi de l’eau, est incommodé par le voisinage de la rivière ?

may my heart always be open to littlebirds who are the secrets of livingwhatever they sing is better than to knowand if men should not hear them men are oldmay my mind stroll about hungryand fearless and thirsty and suppleand even if it's sunday may i be wrongfor whenever men are right they are not youngand may myself do nothing usefullyand love yourself so more than trulythere's never been quite such a fool who could failpulling all the sky over him with one smile

I’ve come down from the skylike some damned ghost, delayedtoo long…To the abandoned fieldsthe trees returned and grew.They stand and grow. Time comesTo them, time goes, the treesStand; the only placeThey go is where they are.Those wholly patient ones…They do no wrong, and theyAre beautiful. What moreCould we have thought to ask?...I stand and wait for lightto open the dark night.I stand and wait for prayerto come and find me here.” Sabbaths 2000 IX