صوتك وردة تستلقي على الماء، قلادة الشفق في ليلتي الأخيرة، ولكنة الغيم المتشقق في سماء الغريب!

Your reason and your passion are the rudder and the sails of your seafaring soul.If either your sails or your rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas.For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction.Therefore let your soul exalt your reason to the height of passion, that it may sing;And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes.

An oak tree and a rosebush grew,Young and green together,Talking the talk of growing things-Wind and water and weather.And while the rosebush sweetly bloomedThe oak tree grew so highThat now it spoke of newer things-Eagles, mountain peaks and sky."I guess you think you're pretty great,"The rose was heard to cry,Screaming as loud as it possibly couldTo the treetop in the sky."And now you have no time for flower talk,Now that you've grown so tall.""It's not so much that I've grown," said the tree,"It's just that you've stayed so small.

On Waterloo Bridge where we said our goodbyes,the weather conditions bring tears to my eyes.I wipe them away with a black woolly gloveAnd try not to notice I've fallen in loveOn Waterloo Bridge I am trying to think:This is nothing. you're high on the charm and the drink.But the juke-box inside me is playing a songThat says something different. And when was it wrong?On Waterloo Bridge with the wind in my hairI am tempted to skip. You're a fool. I don't care.the head does its best but the heart is the boss-I admit it before I am halfway across

See, the reality is... as Christians, some souls can't see things how we see. I be realistic. I tell my life stories for myself but... some can relate. If that person can relate then they'll inspect your character to see what you all about. If God is the overarching theme of your story and that person ain't know God and peace period then they could probably get curious about getting right spiritually. People identify with truths. I refuse to pretend like all has always been holier-than-thou here. That's phony. I feel the same as human beings.

The Long HillI must have passed the crest a while ago And now I am going down-- Strange to have crossed the crest and not to know, But the brambles were always grabbing at the hem of my gown.All the morning I thought how proud I should be To stand there straight as a queen, Wrapped in the wind and the sun with the world under me-- But the air was dull, there was little I could have seen. It was nearly level along the beaten track And the brambles caught in my gown-- But it's no use now to think of turning back, The rest of the way will be only going down.

A.E.Housman'No one, not even Cambridge was to blame(Blame if you like the human situation):Heart-injured in North London, he becameThe Latin Scholar of his generation.Deliberately he chose the dry-as-dust,Kept tears like dirty postcards in a drawer;Food was his public love, his private lustSomething to do with violence and the poor.In savage foot-notes on unjust editionsHe timidly attacked the life he led,And put the money of his feelings onThe uncritical relations of the dead,Where only geographical divisionsParted the coarse hanged soldier from the don.

Without thinking, I knelt in the grass, like someone meaning to pray. When I tried to stand again, I couldn't move,my legs were utterly rigid. Does grief change you like that?Through the birches, I could see the pond.The sun was cutting small white holes in the water.I got up finally; I walked down to the pond. I stood there, brushing the grass from my skirt, watching myself,like a girl after her first loverturning slowly at the bathroom mirror, naked, looking for a sign.But nakedness in women is always a pose.I was not transfigured. I would never be free.

Most of my friends like words too well. They set them under the blinding light of the poem and try to extract every possible connotation from each of them, every temporary pun, every direct or indirect connection - as if a word could become an object by mere addition of consequences. Others pick up words from the streets, from their bars, from their offices and display them proudly in their poems as if they were shouting, "See what I have collected from the American language. Look at my butterflies, my stamps, my old shoes!" What does one do with all this crap?

With you a part of me hath passed away; For in the peopled forest of my mind A tree made leafless by this wintry wind Shall never don again its green array. Chapel and fireside, country road and bay, Have something of their friendliness resigned; Another, if I would, I could not find, And I am grown much older in a day. But yet I treasure in my memory Your gift of charity, and young hearts ease, And the dear honour of your amity; For these once mine, my life is rich with these. And I scarce know which part may greater be,-- What I keep of you, or you rob from me.

Poets to ComePOETS to come! orators, singers, musicians to come!Not to-day is to justify me, and answer what I am for;But you, a new brood, native, athletic, continental, greater than before known,Arouse! Arousefor you must justify meyou must answer.I myself but write one or two indicative words for the future,I but advance a moment, only to wheel and hurry back in the darkness.I am a man who, sauntering along, without fully stopping, turns a casual look upon you, and then averts his face,Leaving it to you to prove and define it,Expecting the main things from you.

My silence knot is tied up in my hair; as if to keep my love out of my eyes. I cannot speak to one for whom i care. A hatpin serves as part of my disguise. In the play, my role is baticeer; a word which here means "person who trains bats." The audience may feel a prick of fear, as if sharp pins are hidden in thier hats. My co-star lives on what we call a brae. His solitude might not be just an act. A piece of mail fails to arrive one day. This poignant melodrama's based on fact.The curtain falls just as the knot unties; the silence is broken by the one who dies.

When You Are OldWhen you are old and grey and full of sleep And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true; But one man loved the pilgrim soul in you, And loved the sorrows of your changing face. And bending down beside the glowing bars, Murmur, a little sadly, how love fled And paced upon the mountains overhead, And hid his face amid a crowd of stars.

Conflicting stories continue to circulate concerning the death of the President. A second White House announcement has now called attention to the President's schedule for the day, pointing out that no mention is made there of dying. Also released was the President's schedule for tomorrow, wherein there also appears to be no plan on the part of the President or his advisers for him to die. "I think it would be best," said the White House Bilge Secretary, "in the light of these schcedules, to wait for a statement, one way or another, from the President himself.

There is no single thing... that is so cut and dried that one cannot attend to its secret whisper which says 'I am more than just my appearance'. If each object quivers with readiness to imply something other than itself, if each perception is a word in a poem dense with connotations, then the poet's selection of any given subject of speculation will become... a means of attuning himself to the rhythms and harmonies of reality at large. ... The notion of a network of correspondence is not an outmoded Romantic illusion: it represents a crucial intuition...