To Your eyes a thousand years are like yesterday come and gone, no more than a watch in the night.You sweep men away like a dream, like grass which springs up in the morning.In the morning it springs up and flowers, by evening it withers and fades.So we are destroyed in Your anger, struck with terror in Your fury.Our guilt lies open before You; our secrets in the light of Your face.All our days pass away in Your anger. Our life is over like a sigh.Our span is seventy years or eighty for those who are strong. And most of these are emptiness and pain, they pass swiftly and we are gone.

Those hours given over to basking in the glow of an imaginedfuture, of being carried away in streams of promise by a love ora passion so strong that one felt altered forever and convincedthat even the smallest particle of the surrounding world wascharged with purpose of impossible grandeur; ah, yes, andone would look up into the trees and be thrilled by the wind-loosened river of pale, gold foliage cascading down and by thehigh, melodious singing of countless birds; those moments, somany and so long ago, still come back, but briefly, like firefliesin the perfumed heat of summer night.

Most people in this country are looking for literature that is useful. They feel that just exploring their feelings is good enough - they should be reading about leveraged buy-outs or how to get thin. We live in a culture that is so absolutely, madly focused on commercialism and on creating money and completely turned away from any other kind of creative value. People don't generally turn to poetry unless they're bereaved or have fallen in love. Or in adolescence, when their feelings are very strong and turbulent. I think most of us are dying for lack of spirit in this culture.

Her close friends have gathered.Lord, ain't it a shameGrieving togetherSharing the blame.But when she was dyingLord, we let her down.There's no use cryin'It can't help her now.The party's all overDrink up and go home.It's too late to love herAnd leave her alone.Just say she was someoneLord, so far from homeWhose life was so lonesomeShe died all aloneWho dreamed pretty dreamsThat never came trueLord, why was she bornSo black and blue?Oh, why was she bornSo black and blue?Epitaph (Black And Blue) Written by: Kris KristoffersonNote: "Epitaph" is about Janis Joplin.

Come to the beach with meAnd watch the pelicans die,Hear their feeble screamsCalling to an empty skyWhere once they playedAnd scouted for food,Not scavenging like the gullsBut plummeting unafraidInto friendly waters.Come to the beach with meAnd watch the pelicans die,Listen to their feeble screamsCalling to an empty sky.Maybe Christ will walk byAnd save them in their final toilOr work a miracle from the shore,A courtesy of Union Oil.Come to the beach with meAnd watch the pelicans die.My God! They'll never fly again.It's worse than Normandy somehow,For there we only murdered men.

The moon shines in my body, but my blind eyes cannot see it:The moon is within me, and so is the sun.The unstruck drum of Eternity is sounded within me; but my deaf ears cannot hear it.So long as man clamors for the I and the Mine, his works are as naught:When all love of the I and the Mine is dead, then the work of the Lord is done.For work has no other aim than the getting of knowledge:When that comes, then work is put away.The flower blooms for the fruit: when the fruit comes, the flower withers.The musk is in the deer, but is seeks it not within itself: it wanders in quest of grass.

I believein love at first sightbut I will always believe that the peoplewe lovewe have loved before.Many, many, many times beforeand when we stumblethrough grace and circumstance and that brilliant illusion of choiceto finally meet them again, we feel it fastereach time through.The one glance that set life alightis two sets of two eyesstaring through the layersof lifetimes and stolen glancesand first kisses and hands held;the brace against the weight and unrelenting tideof waiting.I believein love at first sightbut am not burdened with the misconceptionthat it's a first sightat all.

I was not prepared: sunset, end of summer. Demonstrations of time as a continuum, as something coming to an end, not a suspension: the senses wouldn’t protect me. I caution you as I was never cautioned: you will never let go, you will never be satiated.You will be damaged and scarred, you will continue to hunger. Your body will age, you will continue to need. You will want the earth, then more of the earth–Sublime, indifferent, it is present, it will not respond. It is encompassing, it will not minister. Meaning, it will feed you, it will ravish you, it will not keep you alive.

Sleeping In The ForestI thought the earth remembered me,she took me back so tenderly,arranging her dark skirts, her pocketsfull of lichens and seeds.I slept as never before, a stone on the river bed,nothing between me and the white fire of the starsbut my thoughts, and they floated light as mothsamong the branches of the perfect trees.All night I heard the small kingdomsbreathing around me, the insects,and the birds who do their work in the darkness.All night I rose and fell, as if in water,grappling with a luminous doom. By morningI had vanished at least a dozen timesinto something better.

How long your closet held a whiff of you,Long after hangers hung austere and bare.I would walk in and suddenly the trueSharp sweet sweat scent controlled the airAnd life was in that small still living breath.Where are you? since so much of you is here,Your unique odour quite ignoring death.My hands reach out to touch, to hold what's dearAnd vital in my longing empty arms.But other clothes fill up the space, your space,And scent on scent send out strange false alarms.Not of your odour there is not a trace.But something unexpected still breaks throughThe goneness to the presentness of you.

When I was ten all I knew was that I hated the weird words used to describe whatever it was that was wrong with my brother—to this day I think it all happened because he was overtaken by evil spirits that got loose in that haunted house ride at the carnival that summer. It’s easier for me to make sense of it that way than it is for me to face the other way—reality. And yet, those evil spirits that were unleashed—be they fake entities from a stupid carnival ride, or cruel malevolencies from dark spiritual chasms of our universe—have stayed with me all these years

the phantom of the man-who-would-understand,the lost brother, the twin ---for him did we leave our mothers,deny our sisters, over and over?did we invent him, conjure himover the charring log,nights, late, in the snowbound cabindid we dream or scry his facein the liquid embers,the man-who-would-dare-to-know-us?It was never the rapist:it was the brother, lost,the comrade/twin whose palmwould bear a lifeline like our own:decisive, arrowy,forked-lightning of insatiate desireIt was never the crude pestle, the blindramrod we were after:merely a fellow-creaturewith natural resources equal to our own.

Note, to-day, an instructive, curious spectacle and conflict. Science, (twin, in its fields, of Democracy in its)—Science, testing absolutely all thoughts, all works, has already burst well upon the world—a sun, mounting, most illuminating, most glorious—surely never again to set. But against it, deeply entrench'd, holding possession, yet remains, (not only through the churches and schools, but by imaginative literature, and unregenerate poetry,) the fossil theology of the mythic-materialistic, superstitious, untaught and credulous, fable-loving, primitive ages of humanity.

I tended to find lines of poetry beautiful only when I encountered them quoted in prose, in the essays my professors had assigned in college, where the line breaks were replaced with slashes, so that what was communicated was less a particular poem than the echo of poetic possibility. Insofar as I was interested in the arts, I was interested in the disconnect between my experience of actual artworks and the claims made on their behalf; the closest I'd come to having a profound experience of art was probably the experience of this distance, a profound experience of the absence of profundity.

Acquainted with the NightI have been one acquainted with the night.I have walked out in rain—and back in rain.I have outwalked the furthest city light.I have looked down the saddest city lane.I have passed by the watchman on his beatAnd dropped my eyes, unwilling to explain.I have stood still and stopped the sound of feetWhen far away an interrupted cryCame over houses from another street,But not to call me back or say good-bye;And further still at an unearthly height,One luminary clock against the skyProclaimed the time was neither wrong nor right.I have been one acquainted with the night.