Because beyond their practical function, all gestures have a meaning that exceeds the intention of those who make them; when people in bathing suits fling themselves into the water, it is joy itself that shows in the gesture, notwithstanding any sadness the divers may actually feel. When someone jumps into the water fully clothed, it is another thing entirely: the only person who jumps into the water fully clothed is a person trying to drown; and a person trying to drown does not dive headfirst; he lets himself fall: thus speaks the immemorial language of gestures.

If I found a job, a project, an idea or a person I wanted-I'd have to depend on the whole world. Everything has strings leading to everything else. We're all so tied together. We're all in a net, the net is waiting and it's precious to you. Do you know who is standing ready to tear it out of your hands? You can't know, it may be so involved and so far away, but someone is ready, and you're afraid of them all. And you cringe and you crawl and you beg and you accept them-just so they'll let you keep it. And look at whom you come to accept.

The moon shines in my body, but my blind eyes cannot see it:The moon is within me, and so is the sun.The unstruck drum of Eternity is sounded within me; but my deaf ears cannot hear it.So long as man clamors for the I and the Mine, his works are as naught:When all love of the I and the Mine is dead, then the work of the Lord is done.For work has no other aim than the getting of knowledge:When that comes, then work is put away.The flower blooms for the fruit: when the fruit comes, the flower withers.The musk is in the deer, but is seeks it not within itself: it wanders in quest of grass.

In the molten fire where he lay he could watch the slow machinations of eternity, the cosmic miracle of each second being born, eggshaped, silverplated, phallic, time thrusting itself gleaming through the worn and worthless husk of the microsecond previous, halting, beginning to show the slow and infinitesimal accreations of decay in the clocking away of life in a mechanism encoded at the moment of conception, withering, shunted aside by time's next orgasmic thrust, and all to the beating of some galactic heart, to voices, a madman's mutterings from a snare in the web of the world.

Does character develop over time? In novels, of course it does:otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that the character peaks a little later;between twenty and thirty, say. And after that we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also if this isn't too grand a word--our tragedy.

I am doubtful myself about the undertaking. Part of the attraction of the L.R. is, I think, due to the glimpses of a large history in the background: an attraction like that of viewing far off an unvisited island, or seeing the towers of a distant city gleaming in a sunlit mist. To go there is to destroy the magic, unless new unattainable vistas are again revealed. Also many of the older legends are purely 'mythological', and nearly all are grim and tragic: a long account of the disasters that destroyed the beauty of the Ancient World, from the darkening of Valinor to the Downfall of Numenor and the flight of Elendil.

Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God.

So oft it chances in particular menThat for some vicious mole of nature inthem—As in their birth (wherein they are not guilty,Since nature cannot choose his origin),By the o'ergrowth of some complexion,Oft breaking down the pales and forts ofreason,Or by some habit that too much o'erleavensThe form of plausive manners—that thesemen,Carrying, I say, the stamp of one defect,Being nature’s livery or fortune’s star,Their virtues else (be they as pure as grace,As infinite as man may undergo)Shall in the general censure take corruptionFrom that particular fault. The dram of evilDoth all the noble substance of a doubtTo his own scandal.

I am a shadow. I walk the wet roads under the dim light of the pale lamps, in the darkest hour of the cold dull nights.I walk past the silent graveyard of the dead memories, towards the city of chaos plagued with gloom.I do not exist, but in the eyes of the shattered souls. In the chapter of an old book. In the poem. In the smile of a wrecked and in the tear of a broken spirit.Listen me in the songs told in the times long forgotten.Search for me in the churchs and temples, bars and brothels,pitch black nights and the colorless days.Dive down in your deepest part of your soul. And you will find my home.I have many faces but I have no face of my own. I am a shadow.

Deep down, all the while, she was waiting for something to happen. Like a sailor in distress, she kept casting desperate glances over the solitary waster of her life, seeking some white sail in the distant mists of the horizon. She had no idea by what wind it would reach her, toward what shore it would bear her, or what kind of craft it would be – tiny boat or towering vessel, laden with heartbreaks or filled to the gunwhales with rapture. But every morning when she awoke she hoped that today would be the day; she listened for every sound, gave sudden starts, was surprised when nothing happened; and then, sadder with each succeeding sunset, she longed for tomorrow.

The world's a headmaster who works on your faults. I don't mean in a mystical or Jesus way. More how you'll keep tripping over a hidden step, over and over, till you finally understand: Watch out for that step! Everything that's wrong with us, if we're too selfish or too Yessir, Nosir, Three bags full sir or too anything, that's a hidden step. Either you suffer the consequences of not noticing your fault forever or, one day, you do notice it, and fix it. Joke is, once you get it into your brain about that hidden step and think, Hey, life isn't such a shithouse after all again, then BUMP! Down you go, a whole new flight of hidden steps.There are always more.

And God said: Let there be light, and there was light." Lena opened her eyes, feeling as if someone had been reading this verse out loud in the room. She looked around. Another morning dawned, and the sky glowed. Why did God say the word light out loud? Wasn’t it enough for him just to think of light for there to be light? And did he summon the light to one specific place? Or only to some places? Perhaps he summoned the light everywhere. Her eyes followed the sun’s beams that poured through the shutter slats, creating luminous flecks of gold that sparkled against the cabinet across from her. Tiny motes floated in the light and disappeared in the dark. Who did God created the light for?

You can dance. You can make me laugh.You've got x-ray eyes. You know how to sing. You're a diplomat. You've got it all. Everybody loves you. You can charm the birds out of the sky, But I, I've got one thing. You always know just what to say And when to go, But I've got one thing. You can see in the dark, But I've got one thing: I loved you better. Last night I woke up,Saw this angel. He flew in my window. And he said, Girl, pretty proud of yourself, huh?" And I looked around and said, Who me?" And he said, "The higher you fly, the faster you fall."He said, "Send it up. Watch it rise. See it fall, Gravity's rainbow. Send it up. Watch it rise. See it fall, Gravity's Angel.

This other man he could never see in his entirety but he seemed an artisan and a worker in metal. The judge enshadowed him where he crouched at his trade but he was a coldforger who worked with hammer and die, perhaps under some indictment and an exile from men's fires, hammering out like his own conjectural destiny all through the night of his becoming some coinage for a dawn that would not be. It is this false moneyer with his gravers and burins who seeks favor with the judge and he is at contriving from cold slag brute in the crucible a face that will pass, an image that will render this residual specie current in the markets where men barter. Of this is the judge judge and the night does not end.

You think that the world we live in is ordinary. We make noise and static to fill the empty spaces where ghosts live. We let other people grow our food, bleach our clothes. We seal ourselves in, clean the dirt from our skins, eat of animals whose blood does not stain our hands. We long ago left the ways of our ancestors, oracles and blood sacrifice, traffic with the spirit world, listening for the voices out of stones and trees. But maybe sometimes you have felt the uncanny, alone at night in a dark wood, or waiting by the edge of the ocean for the tide to come in. We have paved over the ancient world, but that does not mean we have erased it.