Oh, Blimey O'Riley's pantyhose....What is the point of Shakespeare? I know he is a genius and so on, but he does rave on. 'What light doth through yonder window break?' It's the bloody moon, for God sake, Will, get a grip!

Do not speak unflatteringly of Jane," Flora said, walking beside Chad. "She is the greatest writer to have ever lived." "I thought that was Shakespeare." "William was, or course, quite good," Flora said. "But no one can compare to Jane Austen.

From too much liberty, my Lucio, libertyAs surfeit is the father of much fast,So every scope of the immoderate useTurns to restraint. Our natures do pursue, -Like rats that ravin down their proper bane, - A thirsty evil; and when we drink we die.

But, orderly to end where I begun:Our wills and fates do so contrary runThat our devices still are overthrown;Our thoughts are ours, their ends none of our own.So think thou wilt no second husband wed,But die thy thoughts when thy first lord is dead.

In fact, Shakespeare was right when he said ‘twice a babe once a man’. We are born into the world as helpless, weak infants, and some of us end our lives as vulnerable, frail adults, unable to speak coherently, or do even the simplest tasks.

When I got enough confidence, the stage was gone. When I was sure of losing, I won. When I needed people the most, they left me. When I learnt to dry my tears, I found a shoulder to cry on. And when I mastered the art of hating, somebody started loving me.

I have always derived great comfort from William Shakespeare. After a depressing visit to the mirror or an unkind word from a girlfriend or an incredulous stare in the street, I say to myself: 'Well. Shakespeare looked like shit.' It works wonders.

n sooth, I know not why I am so sad:It wearies me; you say it wearies you;But how I caught it, found it, or came by it,What stuff 'tis made of, whereof it is born,I am to learn;And such a want-wit sadness makes of me,That I have much ado to know myself.

Let me have war, say I: it exceeds peace as far as day does night; it's spritely, waking, audible, and full of vent. Peace is a very apoplexy, lethargy; mulled, deaf, sleepy, insensible; a getter of more bastard children than war's a destroyer of men.

A third...candidate for Shakespearean authorship was Christopher Marlowe. He was the right age (just two months older than Shakespeare), had the requisite talent, and would certainly have had ample leisure after 1593, assuming he wasn't too dead to work.

The composition of Shakespeare is a forest, in which oaks extend in the air, interspersed sometimes with weeds and brambles, and sometimes giving shelting to myrtles and to roses; filling the eye with awful pomp, and gratifying the mind with endless diversity.

It was one of those cases where you approve the broad, general principle of an idea but can't help being in a bit of a twitter at the prospect of putting it into practical effect. I explained this to Jeeves, and he said much the same thing had bothered Hamlet.

Malone's commentary on Sonnet 93 was a defining moment in the history not only of Shakespeare studies but also of literary biography in general. What has emerged in our time as a dominant form of life writing can trace its lineage back to this extended footnote.

I knew your plan before you made it,” Eldora proclaimed, tossing her Wert from hand to hand… “You are somewhat of a mystery, one of Shakespeare’s cryptic sonnets, I reckon, but some lines are rather…obvious. You would be a terrible king.

Shakespeare was not a genius. He was, without the distant shadow of doubt, the most wonderful writer who ever breathed. But not a genius. No angels handed him his lines, no fairies proofread for him. Instead, he learnt techniques, he learnt tricks, and he learnt them well.