Stories are like spiders, with all they long legs, and stories are like spiderwebs, which man gets himself all tangled up in but which look pretty when you see them under a leaf in the morning dew, and in the elegant way that they connect to one another, each to each.
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I was just four when a hired teenage field hand attempted to molest me. Miraculously, I got away, and I told my dad. My father made three important choices that day: He listened to me, he believed me, and he took action. I was one of the fortunate ones--I had a childhood.
With respect to the books of the New Testament, particularly such parts as tell us of the resurrection and ascension of Christ, any person who could tell a story of an apparition, or of a man's walking, could have made such books; for the story is most wretchedly told.
In the end, it wasn't so much that there was an alternative narrative--there always was--but it came down to belief: Which one did you want to believe. Which one suited you best? Or, perhaps more to the point: Which one told the story you were already telling yourself?
Make up a story... For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief's wide skirt and the stitch that unravels fear's caul.
New research is lending texture and credence to what generations of storytellers have known in their bones – that books, poems, movies, and real-life stories can affect the way we think and even, by extension, the way we act ["The Power of Story," Aeon, January 12, 2015].
So it's happened, I kept thinking, you're in the middle of a story exactly as you've always wanted, and it's horrible. Fear tastes quite different when you're not just reading about it, Meggie, and playing hero wasn't half as much fun as I'd expected.
I hated him, loved him, wanted him, and yet I wished him away. So many conflicting emotions of wants and needs. So much fear. Not because of him, but because of myself—of how deep my feelings and desires were running, and how much I would fall if I happened to lose my grip.
It used to be that a novel would put you among people, tell you a story or stories, give you some sense of what it might be like to see a different cut-out and perspective of the world: as a schoolteacher, an adulteress, the wife of a member of Parliament, an officer, a cockroach.
Make (the reader) think the evil, make him think it for himself, and you are released from weak specifications. My values are positively all blanks, save so far as an excited horror, a promoted pity, a created expertness... proceed to read into them more or less fantastic figures.
Sometimes when we say "God is silent," what's really going on is that he hasn't told the story the way we wanted it told. He will be silent when we want him to fill in the blanks of the story we are creating. But with his own stories, the ones we live in, he is seldom silent.
I've been so thoroughly incorporated into the California culture that I practice meditation and go to a therapist, even though I always set a trap: during my meditation I invent stories to keep from being bored, and in therapy I invent stories to keep from boring the psychologist.
If I do tell you the story, the two of us will always share it. And I don’t know if that’s the right thing to do. if I lift open the lid now, you’ll be implicated. Is that what you want? You really want to know something I’ve sacrificed so much trying to forget?
He clung to the story as to a vow whose abandonment might bring down on his head all kinds of grief and misfortune. He felt very alone, on an interminable day full of evil omens, and the story, though resistant to some of his intentions, was at least a testimony to reality and coherence
