Well, very long ago, on the spot where the Wild Wood waves now, before ever it had planted itself and grown up to what it now is, there was a city - a city of people, you know. Here, where we are standing, they lived, and walked, and talked, and slept, and carried on their business. Here they stabled their horses and feasted, from here they rode out to fight or drove out to trade. They were a powerful people, and rich, and great builders. They built to last, for they thought their city would last for ever.

إن الناس لا يحبون المتاجر الخالية ، هكذا كان يقول أبي ، إنهم يشعرون بداخلها بعدم الأمان

Because that was the problem, really, wasn’t it, with being human? You couldn’t just be, couldn’t just live and exist without dragging your feet through the mud. You had to communicate, congregate, collaborate, cohabiate. You had to corroborate. Copulate. You had to co-this, co-that, co—bloody-everything, and if you weren’t co-operating you were operating with the co, which was a declaration less of independence than of relativity. You could only really exist in relation to others.

Economists often talk about the 80/20 Principle, which is the idea that in any situation roughly 80 percent of the “work” will be done by 20 percent of the participants. In most societies, 20 percent of criminals commit 80 percent of crimes. Twenty percent of motorists cause 80 percent of all accidents. Twenty percent of beer drinkers drink 80 percent of all beer. When it comes to epidemics, though, this disproportionality becomes even more extreme: a tiny percentage of people do the majority of the work.

Did you ever notice that all machines are made for some reason?" he asked Isabelle. "They are built to make you laugh, like the mouse here, or to tell the time, like clocks, or to fill you with wonder like the automaton. Maybe that's why a broken machine always makes me a little sad, because it isn't able to do what it was made to do." Isabelle picked up the mouse, wound it again, and set it down. "Maybe it's the same with people," Hugo continued. "If you lose your purpose...it's like you're broken.

Ponoćna palača drugi je roman koji sam objavio, 1994., i tvori, zajedno s Princem magle, Rujanskim svjetlima i Marinom, seriju "mladenačkih" romana koje sam napisao prije Sjene vjetra. Iskreno, nikad baš nisam shvatio što znači "mladenački roman". Samo znam da sam, kad sam ih napisao, bio dosta mlađi nego danas i da je pri objavljivanju moja zamisao bila da će roman, ako sam posao obavio dobro, sigurno zainteresirati mlade čitatelje između devet i devedeset godina.

Make life about more than just you. Take the world around you and transform it for the sake of others. Do a good deed for your neighbor; smile at strangers; volunteer for a bigger purpose and don’t except anything in return. The first step of redemption is digging yourself out of the hole you dug around yourself and dedicating your time to others. When the world stops revolving around your comfort zone and draws in the needs of others, you may quickly break the chains that hold you down from reaching your ultimate goal.

We deny more than we confess. We hide more than we reveal. We assume because it makes us feel exposed if we have to ask. It's easier to say "I feel nothing" than to admit "I feel something." It takes no courage to say, "I hate you" but it takes a great deal of moxie to declare its opposite. Masks are elaborate and everyone has one. It takes a while to get to know people. This doesn't make them special, it makes them like everyone else. Sometimes our hearts scream yes while our heads say run; and only one can be obeyed.

Upon my word, sir, your hope is a rather extraordinary one after my declaration. I do assure you that I am not one of those young ladies (if such young ladies there are) who are so daring as to risk their happiness on the chance of being asked a second time. I am perfectly serious in my refusal. You could not make ME happy, and I am convinced that I am the last woman in the world who could make you so. Nay, were your friend Lady Catherine to know me, I am persuaded she would find me in every respect ill qualified for the situation.

She dances a little jig. "This would make one hell of a TV show, huh?" "Yeah. But no one would believe it." I should let it go. But it's like the hole, like the door, and I have to know. Or at least, I have to ask. "Hey, Dulcie, was any of that real?" She finishes her dance and the wings come to rest. "Who's to say what's real or not?" "Yeah, but--my barometer on reality, not so good since I started going crazy. "Yeah, well, who but the mad would choose to keep on living? In the end, aren't we all just a little crazy?

If this were a proper world, beautiful faces would belong to beautiful people. Good people with kind hearts and clever minds would always have bright eyes and dazzling smiles, and bad people would have scraggly hair and warty noses. That way if you saw one of them coming, you could cross to the other side of the street and avoid them altogether. But this is not a proper world. In our world, many bad people look quite nice, and many good people are not beautiful at all. Many good people aren't pretty or cute or even interesting-looking.

Kila binadamu hapa duniani ni wa thamani kubwa. Chochote utakachofanya, kizuri au kibaya, kidogo au kikubwa, kitabadilisha maisha ya watu. Ukiwa na msingi mzuri kwa mwanao ataishi vizuri atakapokuwa mkubwa, atakuwa na uwezo mkubwa wa kuacha dunia katika hali nzuri kuliko alivyoikuta. Ukiwa na msingi mbaya kwa mwanao ataishi vibaya atakapokuwa mkubwa, atakuwa na uwezo mdogo wa kuacha dunia katika hali nzuri kuliko alivyoikuta. Kuwa mkarimu kwa mazingira, kuwa mkarimu kwa wanyama, kuwa mkarimu kwa binadamu wenzako, kwa faida ya vizazi vijavyo.

Když si postavíte kolem sebe zeď, jste ztraceni. Ti, od kterých dychtivě očekáváte, že ji přelezou a toužebně si přejete, aby to udělali, to ani nenapadne. Kdejaký pitomec se přes ni lehce přenese, a tak ji navrstvíte ještě víc, že už ani sami přes ni nikam nevidíte. Tak tam sedíte uvěznění a koušete se. Věřte mi - zdi je lepší zbourat, a všechny.

You take a straight tip from the stable, Cokey, if you must hate, hate the government or the people or the sea or men, but don't hate an individual person. Who's done you a real injury. Next thing you know he'll be getting into your beer like prussic acid; and blotting out your eyes like a cataract and screaming in your ears like a brain tumour and boiling round your heart like melted lead and ramping though your guts like a cancer. And a nice fool you'd look if he knew. It would make him laugh till his teeth dropped out; from old age.

To the Jacobins of this epoch [the French Revolution], as well as to those of our times, this popular entity constitutes a superior personality possessing attributes peculiar to the gods of never having to answer for their actions and never making a mistake. Their wishes must be humbly acceded to. The people may kill, burn, ravage, commit the most frightening cruelties, glorify their hero today and throw him into the gutter tomorrow, it is all the same; the politicians will not cease to vaunt the people's virtues and to bow to their every decision.