The sweetness of dogs (fifteen) What do you say, Percy? I am thinkingof sitting out on the sand to watchthe moon rise. Full tonight.So we goand the moon rises, so beautiful it makes me shudder, makes me think abouttime and space, makes me takemeasure of myself: one iotapondering heaven. Thus we sit,I thinking how grateful I am for the moon’s perfect beauty and also, oh! How richit is to love the world. Percy, meanwhile, leans against me and gazes up intomy face. As though I werehis perfect moon.

My love is like a red, red rose That's newly sprung in June: My love is like the melody That's sweetly played in tune. How fair art thou, my bonnie lass, So deep in love am I; And I will love thee still, my dear, Till all the seas gang dry. Till all the seas gang dry, my dear, And the rocks melt with the sun;I will love thee still, my dear, While the sands of life shall run. And fare thee weel, my only love. And fare thee weel awhile! And I will come again, my love, Though it were ten thousand mile.

There Will Come Soft Rains There will come soft rains and the smell of the ground,And swallows circling with their shimmering sound;And frogs in the pool singing at night,And wild plum-trees in tremulous white;Robins will wear their feathery fireWhistling their whims on a low fence-wire;And not one will know of the war, not oneWill care at last when it is done.Not one would mind, neither bird nor treeIf mankind perished utterly;And Spring herself, when she woke at dawn,Would scarcely know that we were gone.

In your handsThe dog, the donkey, surely they knowThey are alive.Who would argue otherwise?But now, after years of consideration,I am getting beyond that.What about the sunflowers? What aboutThe tulips, and the pines?Listen, all you have to do is start andThere’ll be no stopping.What about mountains? What about waterSlipping over rocks?And speaking of stones, what aboutThe little ones you can Hold in your hands, their heartbeatsSo secret, so hidden it may take yearsBefore, finally, you hear them?

الصبيةُ الذين افترشوا طفولتي"أخذوا كلّ مهارات الفرح في قلبيأٌقفلوهوتناهبوا المفتاح

Introduction to PoetryI ask them to take a poemand hold it up to the lightlike a color slideor press an ear against its hive.I say drop a mouse into a poemand watch him probe his way out,or walk inside the poem's roomand feel the walls for a light switch.I want them to waterskiacross the surface of a poemwaving at the author's name on the shore.But all they want to dois tie the poem to a chair with ropeand torture a confession out of it.They begin beating it with a hoseto find out what it really means.

I've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.

Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed. Having once experienced the mystery, plenitude, contradiction, and composure of a work of art, we afterward have a built-in resistance to the slogans and propaganda of oversimplification that have often contributed to the destruction of human life. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization.

Wild creatures' eyes, the colonel said,Are innocent and fathomlessAnd when I look at them I seeThat they are not aware of meAnd oh I find and oh I blessA comfort in this emptinessThey only see me when they wantTo pounce upon me at the hunt;But in the tame varietyThere couches an anxietyAs if they yearned, yet knew not whatThey yearned for, nor they yearned for not.And so my dog would look at meAnd it was pitiful to seeSuch love and such dependency.The human heart is not at easeWith animals that look like these.

The Garden En robe de parade. - SamainLike a skein of loose silk blown against a wallShe walks by the railing of a path in Kensington Gardens,And she is dying piece-mealof a sort of emotional anaemia.And round about there is a rabbleOf the filthy, sturdy, unkillable infants of the very poor.They shall inherit the earth.In her is the end of breeding.Her boredom is exquisite and excessive.She would like some one to speak to her,And is almost afraid that I will commit that indiscretion.

LeisureWhat is this life if, full of care,We have no time to stand and stare? —No time to stand beneath the boughsAnd stare as long as sheep or cows.No time to see, when woods we pass,Where squirrels hide their nuts in grass.No time to see, in broad daylight,Streams full of stars, like skies at night.No time to turn at Beauty's glance,And watch her feet, how they can dance.No time to wait till her mouth canEnrich that smile her eyes began.A poor life this if, full of care,We have no time to stand and stare.

Love is a fire that burns unseen,a wound that aches yet isn’t felt,an always discontent contentment,a pain that rages without hurting,a longing for nothing but to long,a loneliness in the midst of people,a never feeling pleased when pleased,a passion that gains when lost in thought.It’s being enslaved of your own free will;it’s counting your defeat a victory;it’s staying loyal to your killer.But if it’s so self-contradictory,how can Love, when Love chooses,bring human hearts into sympathy?

إنني الآنَ أُقيمُ في ساقيةٍ واحدةٍ يَمُرُّ فيها أشباحُ من مَرُّوا على حياتي فأَفسَدوها

I love you as the plant that never blooms but carries in itself the light of hidden flowers; thanks to your love a certain solid fragrence risen from the earth, lives darkly in my body. and: No one can stop the river of your hands, your eyes and their sleepiness, my dearest. You are the trembling of time, which passes between the vertical light and the darkening sky. and: From the stormy archipelagoes I brought my windy accordian, waves of crazy rain, the habitual slowness of natural things: they made up my wild heart.

When you were sleeping on the sofaI put my ear to your ear and listenedto the echo of your dreams.That is the ocean I want to dive in, merge with the bright fish, plankton and pirate ships.I walk up to people on the street that kind of look like youand ask them the questions I would ask you.Can we sit on a rooftop and watch stars dissolve into smokerising from a chimney? Can I swing like Tarzan in the jungle of your breathing? I don’t wish I was in your arms, I just wish I was peddling a bicycle toward your arms.