Bright StarBright star, would I were steadfast as thou art— Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors— No—yet still stedfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever—or else swoon to death.

The poet must always, in every instance, have the vibrant word... that by it's trenchancy can so wound my soul that it whimpers.... One must know and recognize not merely the direct but the secret power of the word; one must be able to give one's writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one's mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart.

I thought leaving you would be easy, just walking out the door but I keep getting pinned against it with my legs around your waist and it’s like my lips want you like my lungs want air, it’s just what they where born to do so I am sitting at work thinking of you cutting vegetables in my kitchen your hair in my shower drain your fingers on my spine in the morningwhile we listen to Muddy Waters, I knowyou will never be the one I call home but the way you talk about poems like marxists talk of revolution it makes me want to keep trying. I’m still looking for reasons to love you.I’m still looking for proof you love me.

She walks in beauty, like the nightOf cloudless climes and starry skies;And all that’s best of dark and brightMeet in her aspect and her eyes:Thus mellow’d to that tender lightWhich heaven to gaudy day denies.One shade the more, one ray the less,Had half impaired the nameless graceWhich waves in every raven tress,Or softly lightens o’er her face;Where thoughts serenely sweet expressHow pure, how dear their dwelling-place.And on that cheek, and o’er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with allA heart whose love is innocent!

Did you know that Bharatiyar used the pen name “Shelley-dasan”? He admired the poems of Shelley so deeply that he wrote under the name “Shelley’s servant”. Wasn’t that a wonderful gesture of humility by someonewho was such a great poet himself? And later, Bharatiyar had his own dasan, the poet Subburathinam, who tookthe pen name Bharathidasan. Subburathinam’s poetry inspired yet another poet who wrote as Surada, short for Subburathina-dasan. And to think this long chain of inspiration spans centuries, going back to the poets who inspired Wordsworth, who inspired Shelley, who inspired our own Bharati.

Sonnet 23As an unperfect actor on the stage, Who with his fear is put besides his part,Or some fierce thing replete with too much rage,Whose strength's abundance weakens his own heart; So I, for fear of trust, forget to say The perfect ceremony of love's rite, And in mine own love's strength seem to decay,O'ercharg'd with burden of mine own love's might. O, let my books be then the eloquenceAnd dumb presagers of my speaking breast;Who plead for love, and look for recompense,More than that tongue that more hath more express'd.O, learn to read what silent love hath writ:To hear with eyes belongs to love's fine wit.

Once I dated a woman I only liked 43%.So I only listened to 43% of what she said.Only told the truth 43% of the time.And only kissed with 43% of my lips.Some say you can't quantify desire, attaching a number to passion isn't right, that the human heart doesn't work like that.But for me it does-I walk down the streetand numbers appear on the foreheadsof the people I look at. In bars, it's worse.With each drink, the numbers go upuntil every woman in the joint has a blurryeighty something above her eyebrows, and the next day I can only remember 17%of what actually happened. That's the problemwith booze-it screws with your math.

Sonnet 29When, in disgrace with fortune and men's eyes,I all alone beweep my outcast state And trouble deaf heaven with my bootless criesAnd look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd,Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising,Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate;For thy sweet love remember'd such wealth bringsThat then I scorn to change my state with kings.

INTO MY OWNOne of my wishes is that those dark trees,So old and firm they scarcely show the breeze,Were not, as ’twere, the merest mask of gloom,But stretched away unto the edge of doom.I should not be withheld but that some day Into their vastness I should steal away,Fearless of ever finding open land,Or highway where the slow wheel pours the sand.I do not see why I should e’er turn back,Or those should not set forth upon my track To overtake me, who should miss me hereAnd long to know if still I held them dear.They would not find me changed from him they knew—Only more sure of all I thought was true.

The distinctive features of the world's civilisations are not simply and solely the giraffe and the city of Rome, as the children may perhaps have been led to imagine on the first evening, but also the elephant and the country of Denmark, beside many other things. Yes, everyday brought its new animal and its new country, its new kings and its new gods, its quota of those tough little figures which seem to have no significance, but are nevertheless endowed with a life and a value of their own, and may be added together or subtracted from one another at will. And finally poetry, which is grater than any country ; poetry with its bright palaces.

How they are all about, these gentlemenIn chamberlains' apparel, stocked and laced,Like night around their order's star and gemAnd growing ever darker, stony-faced,And these, their ladies, fragile, wan, but proppedHigh by their bodice, one hand loosely dropped,Small like its collar, on the toy King-Charles:How they surround each one of these who stoppedTo read and contemplate the objects d'art,Of which some pieces still are theirs, not ours.Whit exquisite decorum they allow usA life of whose dimensions we seem sureAnd which they cannot grasp. They were aliveTo bloom, that is be fair; we, to mature,That is to be of darkness and to strive.

Many women are singing together of this: one is in a shoe factory cursing the machine, one is at the aquarium tending a seal, one is dull at the wheel of her Ford, one is at the toll gate collecting,one is tying the cord of a calf in Arizona, one is straddling a cello in Russia,one is shifting pots on the stove in Egypt,one is painting her bedroom walls moon color, one is dying but remembering a breakfast, one is stretching on her mat in Thailand, one is wiping the ass of her child,one is staring out the window of a train in the middle of Wyoming and one is anywhere and some are everywhere and all seem to be singing, although some can not sing a note.

New York! I say New York, let black blood flow into your blood.Let it wash the rust from your steel joints, like an oil of life Let it give your bridges the curve of hips and supple vines. Now the ancient age returns, unity is restored, The recociliation of the Lion and Bull and Tree Idea links to action, the ear to the heart, sign to meaning. See your rivers stirring with musk alligators And sea cows with mirage eyes. No need to invent the Sirens. Just open your eyes to the April rainbow And your eyes, especially your ears, to God Who in one burst of saxophone laughter Created heaven and earth in six days, And on the seventh slept a deep Negro sleep.

In Blackwater WoodsLook, the treesare turningtheir own bodiesinto pillarsof light,are giving off the richfragrance of cinnamonand fulfillment,the long tapersof cattailsare bursting and floating away overthe blue shouldersof the ponds,and every pond,no matter what itsname is, isnameless now.Every yeareverythingI have ever learnedin my lifetimeleads back to this: the firesand the black river of losswhose other sideis salvation,whose meaningnone of us will ever know.To live in this worldyou must be ableto do three things:to love what is mortal;to hold itagainst your bones knowingyour own life depends on it;and, when the time comes to let it go,to let it go.

I notice you have the assault proof vest -So it's my fault I guess.So apparently I didn't say 'no' as loud as my clothes could say 'yes.'You see I didn't know that my ‘no’ wasn't enough -I didn't understand that my body became less precious because certain dresses make me look hot.And I guess if I'm wearing the wrong topthen my ‘yes’ is the same as ‘stop.’And you shouldn't have to, just because I begged you to.I'm begging you -Tell me the magic outfit and I'll buy it.Apparently my ‘no’ wasn't heard,even when I screamed.So I need my clothes to be quiet.