Compañera usted sabe que puede contar conmigo no hasta dos o hasta diez sino contar conmigosi alguna vez advierte que la miro a los ojos y una veta de amor reconoce en los míos no alerte sus fusiles ni piense qué delirio a pesar de la veta o tal vez porque existe usted puede contar conmigosi otras veces me encuentra huraño sin motivo no piense qué flojera igual puede contar conmigopero hagamos un trato yo quisiera contar con usted es tan lindo saber que usted existe uno se siente vivo y cuando digo esto quiero decir contar aunque sea hasta dos aunque sea hasta cinco no ya para que acuda presurosa en mi auxilio sino para saber a ciencia cierta que usted sabe que puede contar conmigo

To pray you open your whole selfTo sky, to earth, to sun, to moonTo one whole voice that is youAnd know there is moreThat you can't see, can't hearCan't know except in momentsSteadly growing, and in languagesThat aren't always sound but otherCircles of motion.Like eagle that Sunday morningOver Salt River. Circled in blue skyIn wind, swept our hearts cleanWith sacred wings.We see you, see ourselves and knowThat we must take the utmost careAnd kindness in all things.Breathe in, knowing we are made ofAll this, and breathe, knowingWe are truly blessed because weWere born, and die soon within aTrue circle of motion,Like eagle rounding out the morningInside us.We pray that it will be doneIn beauty.In beauty.

To SolitudeO Solitude! if I must with thee dwell, Let it not be among the jumbled heap Of murky buildings; climb with me the steep,— Nature’s observatory—whence the dell, Its flowery slopes, its river’s crystal swell, May seem a span; let me thy vigils keep ’Mongst boughs pavillion’d, where the deer’s swift leap Startles the wild bee from the fox-glove bell. But though I’ll gladly trace these scenes with thee, Yet the sweet converse of an innocent mind, Whose words are images of thoughts refin’d, Is my soul’s pleasure; and it sure must be Almost the highest bliss of human-kind, When to thy haunts two kindred spirits flee.

For if in careless summer daysIn groves of Ashtaroth we whored,Repentant now, when winds blow cold,We kneel before our rightful lord;The lord of all, the money-god,Who rules us blood and hand and brain,Who gives the roof that stops the wind,And, giving, takes away again;Who spies with jealous, watchful care,Our thoughts, our dreams, our secret ways,Who picks our words and cuts our clothes,And maps the pattern of our days;Who chills our anger, curbs our hope,And buys our lives and pays with toys,Who claims as tribute broken faith,Accepted insults, muted joys;Who binds with chains the poet’s wit,The navvy’s strength, the soldier’s pride,And lays the sleek, estranging shieldBetween the lover and his bride.

Equally, the surrealists consider words as witnesses of life acting in a direct way in human affairs. To use words properly it was necessary to treat them with respect, for they were the intermediaries between oneself and the rest of creation. To abuse them was immediately to set oneself adrift from true being. Words need to be coaxed to reveal a little of their true nature, so as to close the breach that exists between the writer and the universe. The world is not something alien against which man is in conflict. Rather man and cosmos exist in reciprocal motion. We are not cast adrift in an alien or meaningless environment. The universe is intimate with us and, as Breton insisted, it is a cryptogram to be deciphered.

sweet spring is yourtime is my time is ourtime for springtime is lovetimeand viva sweet love(all the merry little birds areflying in the floating in thevery spirits singing inare winging in the blossoming)lovers go and lovers comeawandering awonderingbut any two are perfectlyalone there's nobody else alive(such a sky and such a suni never knew and neither did youand everybody never breathedquite so many kinds of yes)not a tree can count his leaveseach herself by openingbut shining who by thousands meanonly one amazing thing(secretly adoring shylytiny winging darting floatingmerry in the blossomingalways joyful selves are singing)sweet spring is yourtime is my time is ourtime for springtime is lovetimeand viva sweet love

To hear never-heard sounds, To see never-seen colors and shapes, To try to understand the imperceptible Power pervading the world; To fly and find pure ethereal substances That are not of matter But of that invisible soul pervading reality. To hear another soul and to whisper to another soul; To be a lantern in the darkness Or an umbrella in a stormy day; To feel much more than know. To be the eyes of an eagle, slope of a mountain; To be a wave understanding the influence of the moon; To be a tree and read the memory of the leaves; To be an insignificant pedestrian on the streets Of crazy cities watching, watching, and watching. To be a smile on the face of a woman And shine in her memory As a moment saved without planning.

April is the cruelest month, breeding Lilacs out of the dead land, mixingMemory and desire, stirringDull roots with spring rain.Winter kept us warm, coveringEarth in forgetful snow, feedingA little life with dried tubers.Summer surprised us, coming over the StarnbergerseeWith a shower of rain; we stopped in the colonnade,And went on in sunlight, into the Hofgarten,And drank coffee, and talked for an hour.Bin gar keine Russin, stamm' aus Litauen, echt deutsch. And when we were children, staying at the arch-duke's,My cousin's, he took me out on a sled,And I was frightened. He said, Marie,Marie, hold on tight. And down we went.In the mountains, there you feel free.I read, much of the night, and go south in the winter.

Apples of HesperidesGlinting golden through the trees,Apples of Hesperides!Through the moon-pierced warp of nightShoot pale shafts of yellow light,Swaying to the kissing breezeSwings the treasure, golden-gleaming,Apples of Hesperides!.Far and lofty yet they glimmer,Apples of Hesperides!Blinded by their radiant shimmer,Pushing forward just for these;Dew-besprinkled, bramble-marred,Poor duped mortal, travel-scarred,Always thinking soon to seizeAnd possess the golden-glisteningApples of Hesperides!.Orbed, and glittering, and pendent,Apples of Hesperides!Not one missing, still transcendent,Clustering like a swarm of bees.Yielding to no man's desire,Glowing with a saffron fire,Splendid, unassailed, the goldenApples of Hesperides!

Then, what is sacrelige [sic]? If it is nothing more than a rebellion against dogma, it is eventually as meaningless as the dogma it defies, and they are both become hounds ranting in the high grass, never see the boar in the thicket. Only a religious person can perpetrate sacrelige: and if its blasphemy reaches the heart of the question; if it investigates deeply enough to unfold, not the pattern, but the materials of the pattern, and the necessity of a pattern; if it questions so deeply that the doubt it arouses is frightening and cannot be dismissed; then it has done its true sacreligious [sic] work, in the service of its adversary: the only service that nihilism can ever perform.(unused 1949 prefatory note to The Recognitions)

the bouquetBetween me and the worldyou are a bay, a sailthe faithful ends of a ropeyou are a fountain, a wind, a shrill childhood cry.Between me and the worldyou are a picture frame, a windowa field covered in wildflowersyou are a breath, a bed,a night that keeps the stars company.Between me and the world, you are a calendar, a compassa ray of light that slips through the gloomyou are a biographical sketch, a book marka preface that comes at the end.between me and the worldyou are a gauze curtain, a mista lamp shining in my dreamsyou are a bamboo flute, a song without wordsa closed eyelid carved in stone.Between me and the worldyou are a chasm, a poolan abyss plunging downyou are a balustrade, a walla shield’s eternal pattern.

Know then thyself, presume not God to scan,The proper study of mankind is Man.Placed on this isthmus of a middle state,A being darkly wise and rudely great:With too much knowledge for the Sceptic side,With too much weakness for the Stoic's pride,He hangs between, in doubt to act or rest;In doubt to deem himself a God or Beast;In doubt his mind or body to prefer;Born but to die, and reas'ning but to err;Alike in ignorance, his reason such,Whether he thinks too little or too much;Chaos of thought and passion, all confused;Still by himself abused or disabused;Created half to rise, and half to fall;Great lord of all things, yet a prey to all;Sole judge of truth, in endless error hurl'd;The glory, jest, and riddle of the world!

Early Morning in Your RoomIt's morning. The brown scoops of coffee, the wasp-likeCoffee grinder, the neighbors still asleep.The gray light as you pour gleaming water--It seems you've traveled years to get here.Finally you deserve a house. If not deserveIt, have it; no one can get you out. MiseryHad its way, poverty, no money at least.Or maybe it was confusion. But that's over.Now you have a room. Those lighthearted books:The Anatomy of Melancholy, Kafka's Letter to his Father, are all here. You can danceWith only one leg, and see the snowflake fallingWith only one eye. Even the blind manCan see. That's what they say. If you hadA sad childhood, so what? When Robert BurtonSaid he was melancholy, he meant he was home.

Love is the only bow on Life’s dark cloud. It is the morning and the evening star. It shines upon the babe, and sheds its radiance on the quiet tomb. It is the mother of art, inspirer of poet, patriot and philosopher.It is the air and light of every heart – builder of every home, kindler of every fire on every hearth. It was the first to dream of immortality. It fills the world with melody – for music is the voice of love.Love is the magician, the enchanter, that changes worthless things to Joy, and makes royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.

Nobody can tell you about that sword all that there is to be told of it; for those that know of those paths of Space on which its metals once floated, till Earth caught them one by one as she sailed past on her orbit, have little time to waste on such things as magic and so cannot tell you how the sword was made, and those who know whence poetry is, and the need that man has for song, or know any one of the fifty branches of magic, have little time to waste on such things as science, and so cannot tell you whence its ingredients came. Enough that it was once beyond our Earth and was now here amongst our mundane stones; that it was once but as those stones, and now had something in it such as soft music has; let those that can define it.