I?I walk alone;The midnight streetSpins itself from under my feet;My eyes shutThese dreaming houses all snuff out;Through a whim of mineOver gables the moon's celestial onionHangs high.IMake houses shrinkAnd trees diminishBy going far; my look's leashDangles the puppet-peopleWho, unaware how they dwindle,Laugh, kiss, get drunk,Nor guess that if I choose to blinkThey die.IWhen in good humour,Give grass its greenBlazon sky blue, and endow the sunWith gold;Yet, in my wintriest moods, I holdAbsolute powerTo boycott color and forbid any flowerTo be.IKnow you appearVivid at my side,Denying you sprang out of my head,Claiming you feelLove fiery enough to prove flesh real,Though it's quite clearAll your beauty, all your wit, is a gift, my dear,From me."Soliloquy of the Solipsist", 1956

Säjer att jag rymt hit för din skull men ljuger förstås det låter vackrare då ville bara att du skulle ta bort nåldynan från badrummet ställa in kanske mjölk i kylen låtsas att vi lever lika mycket båda tvåstängde dörren för längesen om mej och du bänder loss brädorna men kommer inte in du förstår älskling jag har kilat fast alla öppningar med frusna tårar avbrutna morrhår död hud och blodiga kräkningar har byggt berg utanför av uppsprättade drömmar och klätt in hela trappuppgången i tomhet och du kommer aldrig igenomman kommer aldrig igenommen inimej kom inimej och där nånstans låt mej liksom leva bara

WordsBe careful of words,even the miraculous ones.For the miraculous we do our best,sometimes they swarm like insectsand leave not a sting but a kiss.They can be as good as fingers.They can be as trusty as the rockyou stick your bottom on.But they can be both daisies and bruises.Yet I am in love with words.They are doves falling out of the ceiling.They are six holy oranges sitting in my lap.They are the trees, the legs of summer,and the sun, its passionate face.Yet often they fail me.I have so much I want to say,so many stories, images, proverbs, etc.But the words aren't good enough,the wrong ones kiss me.Sometimes I fly like an eaglebut with the wings of a wren.But I try to take careand be gentle to them.Words and eggs must be handled with care.Once broken they are impossiblethings to repair.

Each Moment a White Bull Steps Shining into the World If the gods bring to youa strange and frightening creature,accept the giftas if it were one you had chosen. Say the accustomed prayers,oil the hooves well,caress the small ears with praise. Have the new halter of woven silverembedded with jewels.Spare no expense, pay what is asked,when a gift arrives from the sea.Treat it as you yourselfwould be treated, brought speechless and nakedinto the court of a king.And when the request finally comes,do not hesitate even an instant----stroke the white throat,the heavy trembling dewlapsyou'd come to believe were yours,and plunge in the knife.Not oncedid you enter the pasturewithout pause,without yourself trembling,that you came to love it, that was the gift.Let the envious gods take back what they can.

The JourneyOne day you finally knewwhat you had to do, and began,though the voices around youkept shoutingtheir bad advice --though the whole housebegan to trembleand you felt the old tugat your ankles."Mend my life!"each voice cried.But you didn't stop.You knew what you had to do,though the wind priedwith its stiff fingersat the very foundations,though their melancholywas terrible.It was already lateenough, and a wild night,and the road full of fallenbranches and stones.But little by little,as you left their voices behind,the stars began to burnthrough the sheets of clouds,and there was a new voicewhich you slowlyrecognized as your own,that kept you companyas you strode deeper and deeperinto the world,determined to dothe only thing you could do --determined to savethe only life you could save.

Sevgili Güllük;Yastık kanepenin üzerine konur. Tekme atılarak düşürülür o. Pazar günleri kuru fasulye yenir. Karşılıklı, alt alta, üst üste ve daha değişik şekillerde durulur. Islak vardır. Portakalın içi de dışı gibi portakal rengidir. Köstebeklerin uçma kabiliyeti bulunmaz. Kamyonlar yük taşırlar. Kaza olur. Kaza yaparlar. Süleyman, Çetin, Atıf, Kemal, Necdet gibi erkek isimleri; Zeynep, Burçak, Burçak ve Burçak gibi kız isimleri vardır. Patates cinsleri vardır; kızartmalık ve haşlamalık. Çeşitli ebatlarda düğün pastaları olur. Muz olur.

The Poet With His Face In His HandsYou want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound.So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself acrossthe forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheetslike crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all youwant and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touchedby the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.

In this brief transit where the dreams crossThe dreamcrossed twilight between birth and dying(Bless me father) though I do not wish to wish these thingsFrom the wide window towards the granite shoreThe white sails still fly seaward, seaward flyingUnbroken wings And the lost heart stiffens and rejoicesIn the lost lilac and the lost sea voicesAnd the weak spirit quickens to rebelFor the bent golden-rod and the lost sea smellQuickens to recoverThe cry of quail and the whirling ploverAnd the blind eye createsThe empty forms between the ivory gatesAnd smell renews the salt savour of the sandy earth This is the time of tension between dying and birth The place of solitude where three dreams cross Between blue rocks But when the voices shaken from the yew-tree drift away Let the other yew be shaken and reply.

When I throw back my head and howlPeople (women mostly) sayBut you've always done what you want, You always get your way- A perfectly vile and foulInversion of all that's been.What the old ratbags meanIs I've never done what I don't.So the shit in the shuttered chateauWho does his five hundred wordsThen parts out the rest of the dayBetween bathing and booze and birdsIs far off as ever, but soIs that spectacled schoolteaching sod(Six kids, and the wife in pod, And her parents coming to stay)...Life is an immobile, locked, Three-handed struggle betweenYour wants, the world's for you, and (worse)The unbeatable slow machineThat brings what you'll get. Blocked, They strain round a hollow stasisOf havings-to, fear, faces.Days sift down it constantly. Years.--The Life with the Hole in It

For you she learned to wear a short black slipand red lipstick,how to order a glass of red wineand finish it. She learned to reach outas if to touch your arm and then nottouch it, changing the subject.Didn't you think, she'd begin, orWeren't you sorry. . . .To call your best friendsby their schoolboy namesand give them kisses good-bye,to look away when they sayYour wife! So your confidence grows.She doesn't ask what you wantbecause she knows.Isn't that what you think?When actually she was only waitingto be told Take off your dress---to be stunned, and then do this,never rehearsed, but perfectly obvious:in one motion up, over, and gone,the X of her arms crossing and uncrossing,her face flashing away from you in the fabricso that you couldn't say if she wasappearing or disappearing.

…how it would be nice if, for every sea waiting for us, there would be a river, for us. And someone -a father, a lover, someone- able to take us by the hand and find that river -imagine it, invent it- and put us on its stream, with the lightness of one only word, goodbye. This, really, would be wonderful. It would be sweet, life, every life. And things wouldn’t hurt, but they would get near taken by stream, one could first shave and then touch them and only finally be touched. Be wounded, also. Die because of them. Doesn’t matter. But everything would be, finally, human. It would be enough someone’s fancy -a father, a lover, someone- could invent a way, here in the middle of the silence, in this land which don’t wanna talk. Clement way, and beautiful.A way from here to the sea.

Boast of QuietnessWritings of light assault the darkness, more prodigious than meteors.The tall unknowable city takes over the countryside.Sure of my life and death, I observe the ambitious and would like tounderstand them.Their day is greedy as a lariat in the air.Their night is a rest from the rage within steel, quick to attack.They speak of humanity.My humanity is in feeling we are all voices of that same poverty.They speak of homeland.My homeland is the rhythm of a guitar, a few portraits, an old sword,the willow grove's visible prayer as evening falls.Time is living me.More silent than my shadow, I pass through the loftily covetous multitude.They are indispensable, singular, worthy of tomorrow.My name is someone and anyone.I walk slowly, like one who comes from so far away he doesn't expect to arrive

Lines Written In Early SpringI heard a thousand blended notes,While in a grove I sate reclined,In that sweet mood when pleasant thoughtsBring sad thoughts to the mind.To her fair works did Nature linkThe human soul that through me ran;And much it grieved my heart to thinkWhat man has made of man.Through primrose tufts, in that green bower,The periwinkle trailed its wreaths;And 'tis my faith that every flowerEnjoys the air it breathes.The birds around me hopped and played,Their thoughts I cannot measure:--But the least motion which they madeIt seemed a thrill of pleasure.The budding twigs spread out their fan,To catch the breezy air;And I must think, do all I can,That there was pleasure there.If this belief from heaven be sent,If such be Nature's holy plan,Have I not reason to lamentWhat man has made of man?

First LoveI ne’er was struck before that hour With love so sudden and so sweet, Her face it bloomed like a sweet flower And stole my heart away complete. My face turned pale as deadly pale, My legs refused to walk away, And when she looked, what could I ail? My life and all seemed turned to clay. And then my blood rushed to my face And took my eyesight quite away, The trees and bushes round the placeSeemed midnight at noonday. I could not see a single thing, Words from my eyes did start— They spoke as chords do from the string, And blood burnt round my heart. Are flowers the winter’s choice? Is love’s bed always snow? She seemed to hear my silent voice, Not love's appeals to know.I never saw so sweet a face As that I stood before. My heart has left its dwelling-place And can return no more.

Una mujer desnuda y en lo oscuro tiene una claridad que nos alumbra de modo que si ocurre un desconsuelo un apagón o una noche sin luna es conveniente y hasta imprescindible tener a mano una mujer desnuda. Una mujer desnuda y en lo oscuro genera un resplandor que da confianza entonces dominguea el almanaque vibran en su rincon las telarañas y los ojos felices y felinos miran y de mirar nunca se cansan.Una mujer desnuda y en lo oscuro es una vocación para las manos para los labios es casi un destino y para el corazón un despilfarro una mujer desnuda es un enigma y siempre es una fiesta descifrarlo. Una mujer desnuda y en lo oscuro genera una luz propia y nos enciende el cielo raso se convierte en cielo y es una gloria no ser inocente una mujer querida o vislumbrada desbarata por una vez la muerte.