Ah, the freshness in the face of leaving a task undone!To be remiss is to be positively out in the country!What a refuge it is to be completely unreliable!I can breathe easier now that the appointments are behind me.I missed them all, through deliberate negligence,Having waited for the urge to go, which I knew wouldn’t come.I’m free, and against organized, clothed society.I’m naked and plunge into the water of my imagination.It’s too late to be at either of the two meetings where I should have been at the same time,Deliberately at the same time...No matter, I’ll stay here dreaming verses and smiling in italics.This spectator aspect of life is so amusing!I can’t even light the next cigarette... If it’s an action,It can wait for me, along with the others, in the nonmeeting called life.

No duties. I don’t have to be profound.I don’t have to be artistically perfect.Or sublime. Or edifying.I just wander. I say: ‘You were running,That’s fine. It was the thing to do.’And now the music of the worlds transforms me.My planet enters a different house.Trees and lawns become more distinct.Philosophies one after another go out.Everything is lighter yet not less odd.Sauces, wine vintages, dishes of meat.We talk a little of district fairs,Of travels in a covered wagon with a cloud of dust behind,Of how rivers once were, what the scent of calamus is.That’s better than examining one’s private dreams.And meanwhile it has arrived. It’s here, invisible.Who can guess how it got here, everywhere.Let others take care of it. Time for me to play hooky.Buena notte. Ciao. Farewell.

The season was waning fastOur nights were growing cold at lastI took her to bed with silk and song,'Lay still, my love, I won’t be long;I must prepare my body for passion.''O, your body you give, but all else you ration.''It is because of these dreams of a sylvan scene:A bleeding nymph to leave me serene...I have dreams of a trembling wench.''You have dreams,' she said, 'that cannot be quenched.''Our passion,' said I, 'should never be feared;As our longing for love can never be cured.Our want is our way and our way is our will,We have the love, my love, that no one can kill.''If night is your love, then in dreams you’ll fulfill...This love, our love, that no one can kill.'Yet want is my way, and my way is my will,Thus I killed my love with a sleeping pill.

لا تملَّ أو تغضبْ أو تكتئبلا وقتَ حتى لذلك،وانظرْ إلى كلِّ ما يُلمَسُ حولك، تَشّربْ فيه جيداً قبلَ أن يتلاشىقبل أن يتحولَ/ تتحولَ إلى محضِ ذكرى

WHEN we two parted In silence and tears, Half broken-hearted To sever for years, Pale grew thy cheek and cold, Colder thy kiss; Truly that hour foretold Sorrow to this. The dew of the morning Sunk chill on my brow— It felt like the warning Of what I feel now. Thy vows are all broken, And light is thy fame: I hear thy name spoken, And share in its shame. They name thee before me, A knell to mine ear; A shudder comes o'er me— Why wert thou so dear? They know not I knew thee, Who knew thee too well: Long, long shall I rue thee, Too deeply to tell. In secret we met— In silence I grieve, That thy heart could forget, Thy spirit deceive. If I should meet thee After long years, How should I greet thee? With silence and tears.

Love SorrowLove sorrow. She is yours now, and you musttake care of what has beengiven. Brush her hair, help herinto her little coat, hold her hand,especially when crossing a street. For, think,what if you should lose her? Then you would besorrow yourself; her drawn face, her sleeplessnesswould be yours. Take care, touchher forehead that she feel herself not soutterly alone. And smile, that she does notaltogether forget the world before the lesson.Have patience in abundance. And do notever lie or ever leave her even for a momentby herself, which is to say, possibly, again,abandoned. She is strange, mute, difficult,sometimes unmanageable but, remember, she is a child.And amazing things can happen. And you may see,as the two of you gowalking together in the morning light, howlittle by little she relaxes; she looks about her;she begins to grow.

It was language I loved, not meaning. I liked poetry better when I wasn't sure what it meant. Eliot has said that the meaning of the poem is provided to keep the mind busy while the poem gets on with its work -- like the bone thrown to the dog by the robber so he can get on with his work. . . . Is beauty a reminder of something we once knew, with poetry one of its vehicles? Does it give us a brief vision of that 'rarely glimpsed bright face behind/ the apparency of things'? Here, I suppose, we ought to try the impossible task of defining poetry. No one definition will do. But I must admit to a liking for the words of Thomas Fuller, who said: 'Poetry is a dangerous honey. I advise thee only to taste it with the Tip of thy finger and not to live upon it. If thou do'st, it will disorder thy Head and give thee dangerous Vertigos.

زايــد: // ليتك مسافر وننتظرك تعود.. يا أحب انسان في هذا الوجود .. ليت ترجع يا نزيل قلوبنا.. يا أبونا ..شوقنا عدّى الحدود.(الشاعر الاماراتي سالم سيف الخالدي

The History TeacherTrying to protect his students' innocencehe told them the Ice Age was really justthe Chilly Age, a period of a million yearswhen everyone had to wear sweaters.And the Stone Age became the Gravel Age,named after the long driveways of the time.The Spanish Inquisition was nothing morethan an outbreak of questions such as"How far is it from here to Madrid?""What do you call the matador's hat?"The War of the Roses took place in a garden,and the Enola Gay dropped one tiny atom on Japan.The children would leave his classroomfor the playground to torment the weakand the smart,mussing up their hair and breaking their glasses,while he gathered up his notes and walked homepast flower beds and white picket fences,wondering if they would believe that soldiersin the Boer War told long, rambling storiesdesigned to make the enemy nod off.

The VagabondGive to me the life I love,Let the lave go by me,Give the jolly heaven aboveAnd the byway nigh me.Bed in the bush with stars to see,Bread I dip in the river -There's the life for a man like me,There's the life for ever.Let the blow fall soon or late,Let what will be o'er me;Give the face of earth aroundAnd the road before me.Wealth I seek not, hope nor love,Nor a friend to know me;All I seek, the heaven aboveAnd the road below me.Or let autumn fall on meWhere afield I linger,Silencing the bird on tree,Biting the blue finger.White as meal the frosty field -Warm the fireside haven -Not to autumn will I yield,Not to winter even!Let the blow fall soon or late,Let what will be o'er me;Give the face of earth around,And the road before me.Wealth I ask not, hope nor love,Nor a friend to know me;All I ask, the heaven aboveAnd the road below me.

But usually not. Usually she thinks of the path to his house, whether deer had eaten the tops of the fiddleheads, why they don't eat the peppermint saprophytes sprouting along the creek; or she visualizes the approach to the cabin, its large windows, the fuchsias in front of it where Anna's hummingbirds always hover with dirty green plumage and jeweled throats. Sometimes she thinks about her dream, the one in which her mother wakes up with no hands. The cabin smells of oil paint, but also of pine. The painter's touch is sexual and not sexual, as she herself is....When the memory of that time came to her, it was touched by strangeness because it formed no pattern with the other events in her life. It lay in her memory like one piece of broken tile, salmon-coloured or the deep green of wet leaves, beautiful in itself but unusable in the design she was making

Variation on the Word SleepI would like to watch you sleeping,which may not happen.I would like to watch you,sleeping. I would like to sleepwith you, to enteryour sleep as its smooth dark waveslides over my head.and walk with you through that lucentwavering forest of bluegreen leaveswith its watery sun & three moonstowards the cave where you must descend,towards your worst fearI would like to give you the silverbranch, the small white flower, the oneword that will protect youfrom the grief at the centerof your dream, from the griefat the center. I would like to followyou up the long stairwayagain & becomethe boat that would row you backcarefully, a flamein two cupped handsto where your body liesbeside me, and you enterit as easily as breathing inI would like to be the airthat inhabits you for a momentonly. I would like to be that unnoticed& that necessary.

The ChairI’m writing to you, who made the archaic wooden chairlook like a throne while you sat on it.Amidst your absence, I choose to sit on the floor,which is dusty as a dry Kansas day.I am stoic as a statue of Buddha,not wanting to bother the old wooden chair,which has been silent now for months.In this sunlit moment I think of you.I can still picture you sitting there--your forehead wrinkled like an un-ironed shirt,the light splashed on your face,like holy water from St. Joseph’s.The chair, with rounded curveslike that of a full-figured woman,seems as mellow as a monk in prayer.The breeze blows from beyond the curtains,as if your spirit has come back to rest.Now a cloud passes overhead,and I hush, waiting to hear what restsso heavily on the chair’s lumbering mind.Do not interrupt, even if the wind offers to carryyour raspy voice like a wispy cloud.

Suddenly, I was stopped by a quiet song . .Somebody stood, swaying slowly on the road,In the darkest shadow by a puddle,And low above it a small tree grew . .It might’ve been a wild cherry tree . .He kept singing, watching the puddle fill . .I dragged the pine through the water,And with my other hand steadied my sack,Where a bottle of red vino dangled . .He didn’t move, but kept on singing . .Should I have stopped thereAnd joined his singing? . .Had he foundThe one happy tree? . .No one knows where it grows—Or what it looks like . .And who is allowed to recognize it? . .I never stood under it,Even to wait for rain to passOr watch between the dropsThe silent froth appear . .Swaying, he kept on singing . .Otherwise, he would have fallenAnd the rain stopped . .He danced his own rainUnder that tree . .I can’t do such things . .Perhaps it was a wolf? . .

Ik vind het doodzonde van mijn tijd om me te verdiepen in de organische geesteswoekeringen van een dichter die me niets beters te melden heeft dan het niets, de leegte, het onverstaanbare. Het onverstaanbare heb ik thuis ook, als ik door de WC-deur heen probeer te praten met mijn vriendin. Het onzegbare, dat roeren wij thuis door de muesli. Ik wil poëzie die me meeneemt naar een wereld die ik nog niet ken, naar een inzicht dat ik nog niet had, naar een uitzicht dat ik nergens anders had kunnen vinden. Ik wil een gedicht dat zo goed is, dat ik bijna vergeet dat het, zoals elk gedicht, een taalbouwsel is – een volmaakt bedrieglijke travestie waar het grote niets doorheen schijnt, een van zijn eigen leugenachtigheid getuigende leugen van inkt. Ik wil een gedicht als een huis, dat me op één steen na laat geloven dat ik er werkelijk in zou kunnen wonen.