Some PeopleSome people flee some other people. In some country under a sun and some clouds. They abandon something close to all they’ve got, sown fields, some chickens, dogs, mirrors in which fire now preens. Their shoulders bear pitchers and bundles. The emptier they get, the heavier they grow. What happens quietly: someone’s dropping from exhaustion. What happens loudly: someone’s bread is ripped away, someone tries to shake a limp child back to life. Always another wrong road ahead of them, always another wrong bridge across an oddly reddish river. Around them, some gunshots, now nearer, now farther away, above them a plane seems to circle.Some invisibility would come in handy, some grayish stoniness, or, better yet, some nonexistence for a shorter or a longer while. Something else will happen, only where and what. Someone will come at them, only when and who, in how many shapes, with what intentions. If he has a choice, maybe he won’t be the enemy and will leave them to some sort of life.

The universe, maybe a blank canvas, you and I are born to create a painting. Some people die from cancer, some people die at birth, and that's their painting. We'll share the same painting, we're born to die just like the universe began and it will end with your last breath.Our life might be a broken watch, or an untuned piano. Maybe all our lives, are but a drop, a drop in an ocean beyond control because chaos controls the rhythm of sound.Maybe the universe is a poem, and we're all the stanza break. Maybe the only way to live is to be poetic by the choices we make. Maybe the only way to see life is through the lenses of melody. Maybe we're all a poem or grand novel being written by an author. Maybe the only way to get through the night and day is to listen to your own heartbeat.To know that purposelessness and meaningless is a part of the human condition this will give you the strength to carry on through. And in the end your eyes could be a pen to write a story that would give yourself meaning.

The first fact of the world is that it repeats itself. I had been taught to believe that the freshness of children lay in their capacity for wonder at the vividness and strangeness of the particular, but what is fresh in them is that they still experience the power of repetition, from which our first sense of the power of mastery comes. Though predictable is an ugly little world in daily life, in our first experience of it we are clued to the hope of a shapeliness in things. To see that power working on adults, you have to catch them out: the look of foolish happiness on the faces of people who have just sat down to dinner is their knowledge that dinner will be served. Probably, that is the psychological basis for the power and the necessity of artistic form...Maybe our first experience of form is the experience of our own formation...And I am not thinking mainly of poems about form; I’m thinking of the form of a poem, the shape of its understanding. The presence of that shaping constitutes the presence of poetry.

She Was A Phantom of DelightShe was a Phantom of delightWhen first she gleam'd upon my sight;A lovely Apparition, sentTo be a moment's ornament:Her eyes as stars of twilight fair;Like twilight's, too, her dusky hair;But all things else about her drawnFrom May-time and the cheerful dawn;A dancing shape, an image gay,To haunt, to startle, and waylay.I saw her upon nearer view,A Spirit, yet a Woman too!Her household motions light and free,And steps of virgin liberty;A countenance in which did meetSweet records, promises as sweet;A creature not too bright or goodFor human nature's daily food,For transient sorrows, simple wiles,Praise, blame, love, kisses, tears, and smiles.And now I see with eye sereneThe very pulse of the machine;A being breathing thoughtful breath,A traveller between life and death:The reason firm, the temperate will,Endurance, foresight, strength, and skill;A perfect Woman, nobly plann'dTo warn, to comfort, and command;And yet a Spirit still, and brightWith something of an angel light.

EphemeraYour eyes that once were never weary of mine Are bowed in sorrow under pendulous lids, Because our love is waning."And then she: "Although our love is waning, let us stand By the lone border of the lake once more, Together in that hour of gentleness When the poor tired child, Passion, falls asleep: How far away the stars seem, and how far Is our first kiss, and ah, how old my heart!"Pensive they paced along the faded leaves, While slowly he whose hand held hers replied: "Passion has often worn our wandering hearts." The woods were round them, and the yellow leaves Fell like faint meteors in the gloom, and once A rabbit old and lame limped down the path; Autumn was over him: and now they stoodOn the lone border of the lake once more: Turning, he saw that she had thrust dead leaves Gathered in silence, dewy as her eyes, In bosom and hair. "Ah, do not mourn," he said, "That we are tired, for other loves await us; Hate on and love through unrepining hours. Before us lies eternity; our souls Are love, and a continual farewell.

Whatever you may say, genuine emotions are aroused by people. The first smile of a newborn, love confession, hang-loose chatting with friends, weekly meetings with dears, and a lot more other things initiated by two or several individuals trigger the feeling of happiness. There are more specific emotions native to females and males. Whereas the first ones are pleased at hearing sweet words. We live and work in the tradition of love and not hatred. As for us, it is the unconditional acceptance of all people, the scale of our love for them. Let's treat every person as a person in his uniqueness at eye level.Love is one of the strongest feelings one can ever have. It comes over you all of a sudden and totally absorbs before you manage to realize the fact. Emotions which arise with the feeling require some way of expression. Furtive glances, sweet words, touching, and romantic dates are a usual manifestation of affection. Still, there is a more inventive way to expose oneself – dedicating a special beautiful love quote to your beloved.

The universe, maybe a blank canvas, you and I are born to create a painting. Some people die from cancer, some people die at birth, and that's their painting. We'll share the same painting, we're born to die just like the universe began and it will end with your last breath.Our life might be a broken watch, or an untuned piano. Maybe all our lives, are but a drop, a drop in an ocean beyond control because chaos controls the rhythm of sound.Maybe the universe is a poem, and we're all the stanza break. Maybe the only way to live is to be poetic in some sense in what we do by the choices we make. Maybe the only way to see life is through the lenses of melody. Maybe we're all a poem or grand novel being written by an author. Maybe the only way to get through the night and day is to listen to your own heartbeat.To know that purposelessness and meaningless is a part of the human condition this will give you the strength to carry on through. And in the end your eyes could be a pen to write a story that would give yourself meaning.

ليس من أجلهمولا من أجليأجلسُ كلَّ مساءأفكرُ كيفَ أنَّ أحزانَ الآخرين،دموعَهُم وخذلاناتهِم المُرّةَ لا تُعير اكتراثاً لأحدترقُدُ منسيةً ومُهملةً، كإطارٍ على الطريقِ السريع.

I wished upon the moon one night, bewitched by how it shone so white. While staring up with some excite my eyes beheld a wondrous sight!  The moon so lustrous and white transformed into an armored knight who caused me just a moments fright when he jumped down from such a height.  No more a soft, celestial light, he was my lover, day and night.   This caused the world a serious plight.  How harsh a sting and deep the bite inflicted on the world, alright, to lose their blackest-hour light.  And so, I've come to set things right, to offer up without a fight my lover wished for one clear night.  I hold him close.  He hugs me tight, then climbs again to heaven's height to glow a bluer shade of bright.  I stare at my beloved knight, not wanting to be impolite, and in my heart with all my might I wish a wish that isn't right.  Now and then the world still spites a shadowless and moonless night when we steal softly out of sight to hold each other 'til daylight and share in lovers true delight.

I. Those of us born by water are never afraid enough of drowning. Bruises used to trophy my knees from my death-defying tree climb jumps. Growing up, my backyard was a forest of blackberry bushes. I learned early nothing sweet will come to you unthorned. II. At twelve your body becomes a currency. So Jenny and I sat down and cut up all our clothes into nothing. That year I failed math class but knew the exact number of calories in a carrot stick. I learned early being desired goes hand in hand with hunger.III. The last time I tried to scream I felt my father climbing up through my throat and into my mouth.IV. There is a certain kind of girl who reads Lolita at fourteen and finds religion. I painted my eyes black and sucked barroom cherries to red my tongue. There was a boy who promised Judas really did love Jesus. I learned early every kiss and betrayal are up for interpretation.V. I think he must have conferenced with my nightmares on exactly how to hurt me.VI. He never broke my heart. He only turned it into a compass that always points me back to him.

The LayersI have walked through many lives,some of them my own,and I am not who I was,though some principle of beingabides, from which I strugglenot to stray.When I look behind,as I am compelled to lookbefore I can gather strengthto proceed on my journey,I see the milestones dwindlingtoward the horizonand the slow fires trailingfrom the abandoned camp-sites,over which scavenger angelswheel on heavy wings.Oh, I have made myself a tribeout of my true affections,and my tribe is scattered!How shall the heart be reconciledto its feast of losses?In a rising windthe manic dust of my friends,those who fell along the way,bitterly stings my face.Yet I turn, I turn,exulting somewhat,with my will intact to gowherever I need to go,and every stone on the roadprecious to me.In my darkest night,when the moon was coveredand I roamed through wreckage,a nimbus-clouded voicedirected me:“Live in the layers,not on the litter.”Though I lack the artto decipher it,no doubt the next chapterin my book of transformationsis already written.I am not done with my changes.

The poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre. For the world is not painted, or adorned, but is from the beginning beautiful; and God has not made some beautiful things, but Beauty is the creator of the universe. Therefore the poet is not any permissive potentate, but is emperor in his own right. Criticism is infested with a cant of materialism, which assumes that manual skill and activity is the first merit of all men, and disparages such as say and do not, overlooking the fact, that some men, namely, poets, are natural sayers, sent into the world to the end of expression, and confounds them with those whose province is action, but who quit it to imitate the sayers. The poet does not wait for the hero or the sage, but, as they act and think primarily, so he writes primarily what will and must be spoken, reckoning the others, though primaries also, yet, in respect to him, secondaries and servants; as sitters or models in the studio of a painter, or as assistants who bring building materials to an architect.

PoetryAnd it was at that age... Poetry arrived in search of me. I don’t know, I don’t know where it came from, from winter or a river. I don’t know how or when, no, they were not voices, they were notwords, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone, there I was without a face and it touched me. I did not know what to say, my mouthhad no way with names my eyes were blind, and something started in my soul, fever or forgotten wings, and I made my own way, deciphering that fire and I wrote the first faint line,faint, without substance, purenonsense, pure wisdom of someone who knows nothing, and suddenly I saw the heavens unfastened and open, planets, palpitating planations, shadow perforated, riddled with arrows, fire and flowers, the winding night, the universe. And I, infinitesimal being, drunk with the great starry void, likeness, image of mystery, I felt myself a pure part of the abyss, I wheeled with the stars, my heart broke free on the open sky.

A Hard Life With MemoryI’m a poor audience for my memory.She wants me to attend her voice nonstop,but I fidget, fuss,listen and don’t,step out, come back, then leave again.She wants all my time and attention.She’s got no problem when I sleep.The day’s a different matter, which upsets her.She thrusts old letters, snapshots at me eagerly,stirs up events both important and un-,turns my eyes to overlooked views,peoples them with my dead.In her stories I’m always younger.Which is nice, but why always the same story.Every mirror holds different news for me.She gets angry when I shrug my shoulders.And takes revenge by hauling out old errors,weighty, but easily forgotten.Looks into my eyes, checks my reaction.Then comforts me, it could be worse.She wants me to live only for her and with her.Ideally in a dark, locked room,but my plans still feature today’s sun,clouds in progress, ongoing roads.At times I get fed up with her.I suggest a separation. From now to eternity.Then she smiles at me with pity,since she knows it would be the end of me too.

EndymionThe rising moon has hid the stars;Her level rays, like golden bars,Lie on the landscape green,With shadows brown between.And silver white the river gleams,As if Diana, in her dreams,Had dropt her silver bowUpon the meadows low.On such a tranquil night as this,She woke Endymion with a kiss,When, sleeping in the grove,He dreamed not of her love.Like Dian's kiss, unasked, unsought,Love gives itself, but is not bought;Nor voice, nor sound betraysIts deep, impassioned gaze.It comes,--the beautiful, the free,The crown of all humanity,--In silence and aloneTo seek the elected one.It lifts the boughs, whose shadows deepAre Life's oblivion, the soul's sleep,And kisses the closed eyesOf him, who slumbering lies.O weary hearts! O slumbering eyes!O drooping souls, whose destiniesAre fraught with fear and pain,Ye shall be loved again!No one is so accursed by fate,No one so utterly desolate,But some heart, though unknown,Responds unto his own.Responds,--as if with unseen wings,An angel touched its quivering strings;And whispers, in its song,"Where hast thou stayed so long?