If I could sum up my poetry in a few well-chosen words, the result might be a poem. Several years ago, when I was asked to say something on this topic, I came up with the notion that for me the making of poems is both a commemoration (a moment captured) and an evocation (the archaeologist manqué side of me digging into something buried and bringing it to light). But I also said that I find the processes that bring poems into being mysterious, and I wouldn't really wish to know them; the thread that links the first unwilled impulse to the object I acknowledge as the completed poem is a tenuous one, easily broken. If I knew the answers to these riddles, I would write more poems, and better ones. "Simple Poem" is as close as I can get to a credo':Simple PoemI shall make it simple so you understand.Making it simple will make it clear for me.When you have read it, take me by the handAs children do, loving simplicity.This is the simple poem I have made.Tell me you understand. But when you doDon't ask me in return if I have saidAll that I meant, or whether it is true.

سوى داخلي لم يعد ْ لي مكانٌ أتسللُ إليهأوقات ٌوأوقاتٌ أهدرها أيتها الوحدة كي أصدف َسنيني التي عبرت ْ، أنا هنا..أو هناك..لابُد ّ برأس دائخ وأرواح غزيرة أبدّلها....، ولا تمطر،أنساها......،ولا تموت ْ..

خضراء أكتبها على نثر السنابل في كتاب الحقل ، قوّسها امتلاءٌ شاحبٌ فيها وفي. وكلما صادقت أو آخيت سنبلةً تعلّمت البقاء من الفناء وضده. أنا حبة القمح التي ماتت لكي تخضرّ ثانية وفي موتي حياةٌ ما

But drunkenly, or secretly, we swore,Disciples of that astigmatic saint,That we would never leave the islandUntil we had put down, in paint, in words,As palmists learn the network of a hand,All of its sunken, leaf-choked ravines,Every neglected, self-pitying inletMuttering in brackish dialect, the ropes of mangrovesFrom which old soldier crabs slippedSurrendering to slush,Each ochre track seeking some hilltop andLosing itself in an unfinished phrase,Under sand shipyards where the burnt-out palmsInverted the design of unrigged schooners,Entering forests, boiling with life,Goyave, corrosol, bois-canot, sapotille.Days!The sun drumming, drumming,Past the defeated pennons of the palms,Roads limp from sunstroke,Past green flutes of the grassThe ocean cannonading, come!Wonder that opened like the fanOf the dividing frondsOn some noon-struck sahara,Where my heart from its rib cage yelped like a pupAfter clouds of sanderlings rustily wheelingThe world on its ancient,Invisible axis,The breakers slow-dolphining over more breakers,To swivel our easels down, as firmAs conquerors who had discovered home.

Cook was a captain of the powder-days When captains, you might have said, if you had been Fixed by their glittering stare, half-down the side, Or gaping at them up companionways, Were more like warlocks than a humble man— And men were humble then who gazed at them, Poor horn-eyed sailors, bullied by devils' fists Of wind or water, or the want of both, Childlike and trusting, filled with eager trust— Cook was a captain of the sailing days When sea-captains were kings like this,Those captains drove their ships By their own blood, no laws of schoolbook steam, Till yards were sprung, and masts went overboard— Daemons in periwigs, doling magic out, Who read fair alphabets in stars Where humbler men found but a mess of sparks, Who steered their crews by mysteries And strange, half-dreadful sortilege with books, Used medicines that only gods could know The sense of, but sailors drank In simple faith. That was the captain Cook was when he came to the Coral Sea And chose a passage into the dark. Men who ride broomsticks with a mesmerist Mock the typhoon. So, too, it was with Cook.

In death we vanquished enemies,In death, we slew our foes.Blood soaked rage engulfed our blades,When blood lust took its hold.–In death, a darkness troubled one,In death, concealed, undone.Deep in darkness dragons wait,When blood would set the sun.–In death, we glorified his name.In death, we saw too late,When drink, to him, we raised in praise,The dragon sealed his fate.–In death, we lived. In death, we fought.In death, we grew to hate.In death, the blackened wraith released,The blinded shade beneath.–In death, his darkened eyes grew dim.In death, his mind was lost within.With blackened eyes, he slew his kin,In death, we lost to him.–In death, I took up sword and slew.In death, the dragon’s wrath ensued.We had no choice. The dragon fumed.In death, he was consumed.–In death, our brother’s blood deplored,In death, our brother, did I gore,When I rose up and killed one more.His blood ensconced my sword.–From death, his mutterings are weak.From death, his voice, to me, it speaks.Entombed within my brother’s keep,Revived in death, he sleeps.

GospelThe new grass rising in the hills,the cows loitering in the morning chill,a dozen or more old browns hiddenin the shadows of the cottonwoodsbeside the streambed. I go higherto where the road gives up and there’sonly a faint path strewn with lupinebetween the mountain oaks. I don’task myself what I’m looking for.I didn’t come for answersto a place like this, I came to walkon the earth, still cold, still silent.Still ungiving, I’ve said to myself,although it greets me with last year’sdead thistles and this year’s hard spines, early bloomingwild onions, the curling remainsof spider’s cloth. What did I bring to the dance? In my back pocketa crushed letter from a womanI’ve never met bearing bad newsI can do nothing about. So I wanderthese woods half sightless whilea west wind picks up in the treesclustered above. The pines makea music like no other, rising and falling like a distant surf at nightthat calms the darkness before first light. “Soughing” we call it, fromOld English, no less. How weightlesswords are when nothing will do.

FRIDA KAHLO TO MARTY MCCONNELLleaving is not enough; you muststay gone. train your heartlike a dog. change the lockseven on the house he’s nevervisited. you lucky, lucky girl.you have an apartmentjust your size. a bathtubfull of tea. a heart the sizeof Arizona, but not nearlyso arid. don’t wish awayyour cracked past, yourcrooked toes, your problemsare papier mache puppetsyou made or bought because the vendorat the market was so compelling you justhad to have them. you had to have him.and you did. and now you pull downthe bridge between your houses,you make him call beforehe visits, you take a loverfor granted, you takea lover who looks at youlike maybe you are magic. makethe first bottle you consumein this place a relic. place iton whatever altar you fashionwith a knife and five cranberries.don’t lose too much weight.stupid girls are always tryingto disappear as revenge. and youare not stupid. you loved a manwith more hands than a paradeof beggars, and here you stand. heartlike a four-poster bed. heart like a canvas.heart leaking something so strongthey can smell it in the street.

I Wandered Lonely as a CloudI wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced; but they Out-did the sparkling waves in glee: A poet could not but be gay, In such a jocund company: I gazed--and gazed--but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.

Frida Kahlo to Marty McConnellleaving is not enough; you muststay gone. train your heartlike a dog. change the lockseven on the house he’s nevervisited. you lucky, lucky girl.you have an apartmentjust your size. a bathtubfull of tea. a heart the sizeof Arizona, but not nearlyso arid. don’t wish awayyour cracked past, yourcrooked toes, your problemsare papier mache puppetsyou made or bought because the vendorat the market was so compelling you justhad to have them. you had to have him.and you did. and now you pull downthe bridge between your houses,you make him call beforehe visits, you take a loverfor granted, you takea lover who looks at youlike maybe you are magic. makethe first bottle you consumein this place a relic. place iton whatever altar you fashionwith a knife and five cranberries.don’t lose too much weight.stupid girls are always tryingto disappear as revenge. and youare not stupid. you loved a manwith more hands than a paradeof beggars, and here you stand. heartlike a four-poster bed. heart like a canvas.heart leaking something so strongthey can smell it in the street.

Flow gently, sweet Afton,amang thy green braes,Flow gently, I'll sing theea song in thy praise;My Mary's asleepby thy murmuring stream,Flow gently, sweet Afton,disturb not her dream.Thou stock dove whose echoresounds thro' the glen,Ye wild whistly blackbirdsin yon thorny den,Thou green crested lapwingthy screaming forbear,I charge you, disturb notmy slumbering fair.How lofty, sweet Afton,thy neighboring hills,Far mark'd with the coursesof clear winding rills;There daily I wanderas noon rises high,My flocks and my Mary'ssweet cot in my eye.How pleasant thy banks and green valleys below, Where, wild in the woodlands,the primroses blow;There oft, as mild eveningweeps over the lea,The sweet-scented birk shadesmy Mary and me.Thy crystal stream, Afton,how lovely it glides,And winds by the cot wheremy Mary resides;How wanton thy watersher snowy feet lave,As, gathering sweet flowerets,she stems thy clear wave.Flow gently, sweet Afton,amang thy green braes,Flow gently, sweet river,the theme of my lays; My Mary's asleepby thy murmuring stream,Flow gently, sweet Afton,disturb not her dreams.

What is the colour of Christmas?Red? The red of the toyshops on a dark winter’s afternoon,Of Father Christmas and the robin’s breast?Or green?Green of holly and spruce and mistletoe in the house, dark shadow of summer in leafless winter?One might plainly add a romance of white, fields of frost and snow;thus white, green, red- reducing the event to the level of a Chianti bottle. But many will say that the significant colour is gold, gold of fire and treasure, of light in the winter dark; and this gets closer, For the true colour of Christmas is Black.Black of winter, black of night, black of frost and of the east wind, black of dangerous shadows beyond the firelight.I am not sure who wrote this. I got it from page nine of “A Book of Christmas” by William Sansom. Google didn’t help. It is rather true I think, that the true color of Christmas is black. For like the author said in succeeding sentences “The table yellow with electric light, the fire by which stories are told, the bright spangle of the tree- they all blazé out of shadow and out of a darkness of winte

JapanToday I pass the time readinga favorite haiku,saying the few words over and over.It feels like eatingthe same small, perfect grapeagain and again.I walk through the house reciting itand leave its letters fallingthrough the air of every room.I stand by the big silence of the piano and say it.I say it in front of a painting of the sea.I tap out its rhythm on an empty shelf.I listen to myself saying it,then I say it without listening,then I hear it without saying it.And when the dog looks up at me,I kneel down on the floorand whisper it into each of his long white ears.It’s the one about the one-tontemple bellwith the moth sleeping on its surface,and every time I say it, I feel the excruciatingpressure of the mothon the surface of the iron bell.When I say it at the window,the bell is the worldand I am the moth resting there.When I say it into the mirror,I am the heavy belland the moth is life with its papery wings.And later, when I say it to you in the dark,you are the bell,and I am the tongue of the bell, ringing you,and the moth has flownfrom its lineand moves like a hinge in the air above our bed.

To Have Without Holding:Learning to love differently is hard,love with the hands wide open, lovewith the doors banging on their hinges,the cupboard unlocked, the windroaring and whimpering in the roomsrustling the sheets and snapping the blindsthat thwack like rubber bandsin an open palm.It hurts to love wide openstretching the muscles that feelas if they are made of wet plaster,then of blunt knives, thenof sharp knives.It hurts to thwart the reflexesof grab, of clutch, to love and letgo again and again. It pesters to rememberthe lover who is not in the bed,to hold back what is owed to the workthat gutters like a candle in a cavewithout air, to love consciously,conscientiously, concretely, constructively.I can't do it, you say it's killingme, but you thrive, you glowon the street like a neon raspberry,You float and sail, a helium balloonbright bachelor's buttons blue and bobbingon the cold and hot winds of our breath,as we make and unmake in passionatediastole and systole the rhythmof our unbound bonding, to haveand not to hold, to lovewith minimized malice, hungerand anger moment by moment balanced.

Prison MoonFour a.m. work duty and I beginmy solitary trudge from outer compoundto main building. A shivering guard,chilled in his lonely outpost, strip searchesme until content that my inconsequential nudity.poses no threat and then whispersthe secret code that allows me admittance into the open quarter-mile walkway.I chuff my way into another dayas ice glints on the razor wireand the rifles note my numbed passage,silent but for my huffs and scuffleon the cracked, slippery sidewalk A new moon, veiled in wispy fogand beringed in glory, hangs over the prison, its gaudy glow taunting the halogen spotlights.The moon’s creamy pull upsetssome liquid equilibrium within meand like tides, wolves and all manner of madmen, I surrender disturbed by the certainty that under the bony luminescence of a grinning moon The lunar deliriums grip meand I howl--once, then again, andsurely somewhere an unbound sleeper stirs, penitence is dying a giddy death.I shake myself saneand as the echoes hangin the frigid air I explainto the wild-eyed guard that convicts, like all animals under the leash,must bay at the beauty beyond them.