The future says:Dear mortals;I know you are busy with your colourful lives;I have no wish to waste the little time that remainsOn arguments and heated debates;But before I can appearPlease, close your eyes, sit stillAnd listen carefullyTo what I am about to say;I haven't happened yet, but I will.I can't pretend it's going to beBusiness as usual.Things are going to change.I'm going to be unrecognisable.Please, don't open your eyes, not yet.I'm not trying to frighten you.All I ask is that you think of meNot as a wish or a nightmare, but as a storyYou have to tell yourselves -Not with an endingIn which everyone lives happily ever after,Or a B-movie apocalypse,But maybe starting with the line'To be continued...'And see what happens next.Remember this; I am notWritten in stoneBut in time - So please don't shrug and sayWhat can we do?It's too late, etc, etc, etc.Dear mortals,You are such strange creaturesWith your greed and your kindness,And your hearts like broken toys;You carry fear with you everywhereLike a tiny godIn its box of shadows.You love festivals and musicAnd good food.You lie to yourselvesBecause you're afraid of the dark.But the truth is: you are in my handsAnd I am in yours.We are in this together,Face to face and eye to eye;We're made for each other.Now those of you who are still here;Open your eyes and tell me what you see.

Far over the misty mountains coldTo dungeons deep and caverns oldWe must away ere break of dayTo seek the pale enchanted gold.The dwarves of yore made mighty spells,While hammers fell like ringing bellsIn places deep, where dark things sleep,In hollow halls beneath the fells.For ancient king and elvish lordThere many a gleaming golden hoardThey shaped and wrought, and light they caughtTo hide in gems on hilt of sword.On silver necklaces they strungThe flowering stars, on crowns they hungThe dragon-fire, in twisted wireThey meshed the light of moon and sun.Far over the misty mountains coldTo dungeons deep and caverns oldWe must away, ere break of day,To claim our long-forgotten gold.Goblets they carved there for themselvesAnd harps of gold; where no man delvesThere lay they long, and many a songWas sung unheard by men or elves.The pines were roaring on the height,The wind was moaning in the night.The fire was red, it flaming spread;The trees like torches blazed with light.The bells were ringing in the daleAnd men looked up with faces pale;The dragon's ire more fierce than fireLaid low their towers and houses frail.The mountain smoked beneath the moon;The dwarves, they heard the tramp of doom.They fled their hall to dying fallBeneath his feet, beneath the moon.Far over the misty mountains grimTo dungeons deep and caverns dimWe must away, ere break of day,To win our harps and gold from him!

Mathematicians still don’t understandthe ball our hands made, or howyour electrocuted grandparents made it possiblefor you to light my cigarettes with your eyes.It isn’t as simple as me climbing into the windowto leave six ounces of orange juiceand a doughnut by the bed, or me becomingthe sand you dug your toes in,on the beach, when you wishedto hide them from the sun and the fixed eyesof strangers, and your breath broke in wavesover my earlobe, splashing through my head, spilling outover the opposite lobe, and my first poemsunder your door in the unshaven light of dawn:Your eyes remind me of a brick wallabout to be hammered by a drunkdriver. I’m that driver. All nightI’ve swallowed you in the bar.Once I kissed the scar, stretching its sealedeyelid along your inner arm, driedraining strands of hair, full of pheromones, discoveredall your idiosyncratic passageways, so I’d knowwhere to run when the cops came.Your body is the country I’ll never return to.The man in charge of what crosses my mindwill lose fingernails, for not turning youaway at the border. But at this momentwhen sweat tingles from me, andblame is as meaningless as shooting up a cow with milk,I realise my kisses filled the halls of your bodywith smoke, and the lies camelike a season. Most drunks don’t die in accidentsthey orchestrate, and I swalloweda hand grenade that never stops exploding.

Mystical experience needs some form of dogma in order not to dissipate into moments of spiritual intensity that are merely personal, and dogma needs regular infusions of unknowingness to keep from calcifying into the predictable, pontificating, and anti-intellectual services so common in mainstream American churches. So what does all this mean practically? It means that congregations must be conscious of the persistent and ineradicable loneliness that makes a person seek communion, with other people and with God, in the first place. It means that conservative churches that are infused with the bouncy brand of American optimism one finds in sales pitches are selling shit. It means that liberal churches that go months without mentioning the name of Jesus, much less the dying Christ, have no more spiritual purpose or significance than a local union hall. It means that we -- those of us who call ourselves Christians -- need a revolution in the way we worship. This could mean many different things -- poetry as liturgy, focused and extended silences, learning from other religious traditions and rituals (this seems crucial), incorporating apophatic language. But one thing it means for sure: we must be conscious of language as language, must call into question every word we use until we refine or remake a language that is fit for our particular religious doubts and despairs -- and of course (and most of all!) our joys.

Ninja beats pirate. Pirate beats ghost.Ghost beats zombie. Zombie beats most.Werewolf beats vampire. Vamp beats Imp.Imp beats fiend. Fiend beats wimp.Wizard beats cyrborg. Cyborg surely beats troll.Troll beats goblin. Goblin eats a hermit’s soul.Hermit beats child. Child beats wagon.Wagon beats moon snake. Moon snake beats dragon.Dragon beats hydra. Hydra beats sailor.Sailor beats teacher. Teacher beats tailor.Tailor beats sun worm. Sun worm beats clown.Clown beats robo-squid. Robo-squid beats town.Town fights jackals. Town will win.Town fights mummies. Town won’t fight again.Zookeeper beats hell hound. Hell hound beats giant.Giant beats accountant. Accountant beats client.Client beats frog. Frog beats himself.Knight beats Big Foot. Big Foot beats elf.Elf beats pixie. Pixie beats specter.Specter beats sea hag. Sea hag beats Hector.Hector beats serpent. Serpent beats rat.Rat beats Grandma. Grandma beats cat.Lava beats demon. Demon beats warlock.Warlock beats dinosaur. Dino beats Spock.Spock beats Lando. Lando beats Qui-Gon.Qui-Gon beats Jar-Jar. Jar-Jar beats none.Rock beats scissors. Scissors beat paper.Paper beats insect. Insect beats vapor.Wood Woman beats Tree Man. Tree Man beats the dark.The dark kills spider-fish. Spider-fish beats shark.You beat me. I beat a dentist.The dentist beats the barber. The barber is menaced.These are the rules, and never forget.Now hand over your money and place your bet.

Remember BarbaraIt rained all day on Brest that dayAnd you walked smilingFlushed enraptured streaming-wetIn the rainRemember BarbaraIt rained all day on Brest that dayAnd I ran into you in Siam StreetYou were smilingAnd I smiled tooRemember BarbaraYou whom I didn't knowYou who didn't know meRememberRemember that day stillDon't forgetA man was taking cover on a porchAnd he cried your nameBarbaraAnd you ran to him in the rainStreaming-wet enraptured flushedAnd you threw yourself in his armsRemember that BarbaraAnd don't be mad if I speak familiarlyI speak familiarly to everyone I loveEven if I've seen them only onceI speak familiarly to all who are in loveEven if I don't know themRemember BarbaraDon't forgetThat good and happy rainOn your happy faceOn that happy townThat rain upon the seaUpon the arsenalUpon the Ushant boatOh BarbaraWhat shitstupidity the warNow what's become of youUnder this iron rainOf fire and steel and bloodAnd he who held you in his armsAmorouslyIs he dead and gone or still so much aliveOh BarbaraIt's rained all day on Brest todayAs it was raining beforeBut it isn't the same anymoreAnd everything is wreckedIt's a rain of mourning terrible and desolateNor is it still a stormOf iron and steel and bloodBut simply cloudsThat die like dogsDogs that disappearIn the downpour drowning BrestAnd float away to rotA long way offA long long way from BrestOf which there's nothing left.

In a cage of wire-ribsThe size of a man’s head, the macaw bristles in a staringCombustion, suffers the stoking devils of his eyes.In the old lady’s parlour, where an aspidistra succumbsTo the musk of faded velvet, he hangs in clear flames,Like a torturer’s iron instrument preparingWith dense slow shudderings of greens, yellows, blues, Crimsoning into the barbs:Or like the smouldering head that hungIn Killdevil’s brass kitchen, in irons, who had beenVolcano swearing to vomit the world away in black ash,And would, one day; or a fugitive aristocratFrom some thunderous mythological hierarchy, caughtBy a little boy with a crust and a bent pin,Or snare of horsehair set for a song-thrush, And put in a cage to sing.The old lady who feeds him seedsHas a grand-daughter. The girl calls him ‘Poor Polly’, pokes fun.’Jolly Mop.’ But lies under every full moon,The spun glass of her body bared and so gleam-stillHer brimming eyes do not tremble or spillThe dream where the warrior comes, lightning and iron,Smashing and burning and rending towards her loin: Deep into her pillow her silence pleads.All day he stares at his furnaceWith eyes red-raw, but when she comes they close.’Polly. Pretty Poll’, she cajoles, and rocks him gently.She caresses, whispers kisses. The blue lids stay shut.She strikes the cage in a tantrum and swirls out:Instantly beak, wings, talons crashThe bars in conflagration and frenzy, And his shriek shakes the house.

In The Sunset SkyThe sunset sky dazzling with the golden hues, Taking bow in brilliant sparkle of experienceIs it not a climax, of the story so far, that was today?Or is it building anticipation of the night yet to come. Watch the days go, some proud of their accomplishmentsSome leaving sighs of disappointments, Leaving all in awe of its Amaranthine twists and turns And the fortunate get to see the moon trying to steal the show from setting sun,Oh she is such a show off, isn't she, basking in reflected gloryIts magical, the sunset sky,Puzzling, sometimes just like a riddle,Leaving the nature stunned and amazed For it has been filling the canvas whole day with colours And now the sunset threatens to hide them all And in dark all the colours will be sameA cue for the wise.Sunset sky has so much to offer, is she not a fine exampleof how uncertain a life can beOften reminding no matter what you planned, there will besome unexpected returnsFor End has its own brain, its own scriptCharting its own courseSo why just the beginning,every moment of the life should be grand, meted with equal passion and fervorShe has been so clever; the sunset skyLeaving Twinkling cryptic messages for the night skyFor even the dark has sparkle and hope if you keep your head up, A constant reminder that exuberance is an attitude of deep,rich, warm heartsI want my sunset sky to be grand, magical, and full of stories of my life that has been And its memories to linger on in this world, in the tomorrow and a few more years to come

An Anna BlumeOh Du, Geliebte meiner 27 Sinne, ich liebe Dir!Du, Deiner; Dich Dir, ich Dir, Du mir, - - - - wir?Das gehört beiläufig nicht hierher!Wer bist Du , ungezähltes Frauenzimmer, Du bist, bist Du?Die Leute sagen, Du wärest.Laß sie sagen, sie wissen nicht, wie der Kirchturm steht.Du trägst den Hut auf Deinen Füßen und wanderst auf die Hände,auf den Händen wanderst Du.Halloh, Deine roten Kleider, in weiße Falten zersägt,Rot liebe ich, Anna Blume, rot liebe ich Dir.Du, Deiner, Dich Dir, ich Dir, Du mir, - - - - - wir?Das gehört beiläufig in die kalte Glut!Anna Blume, rote Anna Blume, wie sagen die Leute? Preisfrage: 1.) Anna Blume hat ein Vogel, 2.) Anna Blume ist rot. 3.) Welche Farbe hat der Vogel.Blau ist die Farbe Deines gelben Haares,Rot ist die Farbe Deines grünen Vogels.Du schlichtes Mädchen im Alltagskleid,Du liebes grünes Tier, ich liebe Dir!Du Deiner Dich Dir, ich Dir, Du mir, - - - - wir!Das gehört beiläufig in die - - - Glutenkiste.Anna Blume, Anna, A - - - - N - - - -N- - - - -A!Ich träufle Deinen Namen.Dein Name tropft wie weiches Rindertalg.Weißt Du es Anna, weißt Du es schon,Man kann Dich auch von hinten lesen.Und Du, Du Herrlichste von allen,Du bist von hinten und von vorne:A - - - - - - N - - - - - N - - - - - -A.Rindertalg träufelt STREICHELN über meinen Rücken.Anna Blume,Du tropfes Tier,Ich - - - - - - - liebe - - - - - - - Dir!

Ego TrippingI was born in the congoI walked to the fertile crescent and built the sphinxI designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect lightI am badI sat on the throne drinking nectar with allahI got hot and sent an ice age to europe to cool my thirstMy oldest daughter is nefertiti the tears from my birth pains created the nileI am a beautiful womanI gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothesI crossed it in two hoursI am a gazelle so swift so swift you can't catch me For a birthday present when he was threeI gave my son hannibal an elephant He gave me rome for mother's dayMy strength flows ever onMy son noah built new/ark andI stood proudly at the helm as we sailed on a soft summer dayI turned myself into myself and was jesus men intone my loving name All praises All praisesI am the one who would saveI sowed diamonds in my back yardMy bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip northI caught a cold and blewMy nose giving oil to the arab worldI am so hip even my errors are correctI sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continentsI am so perfect so divine so ethereal so surrealI cannot be comprehended except by my permissionI mean...I...can fly like a bird in the sky...

STAINSWith red clay between my toes,and the sun setting over my head,the ghost of my mother blows in,riding on a honeysuckle breeze, oh lord,riding on a honeysuckle breeze.Her teeth, the keys of a piano.I play her grinning ivory noteswith cadenced fumbling fingers,splattered with paint, textured with scars.A song rises up from the belly of my pastand rocks me in the bosom of buried memories.My mama’s dress bears the stains of her life:blueberries, blood, bleach, and breast milk;She cradles in her arms a lifetime of love and sorrow;Its brilliance nearly blinds me.My fingers tire, as though I've played this song for years.The tune swells red, dying around the edges of a setting sun.A magnolia breeze blows in strong, a heavenly taxi sent to carry my mother home. She will not say goodbye.For there is no truth in spoken farewells.I am pregnant with a poem,my life lost in its stanzas.My mama steps out of her dressand drops it, an inheritance falling to my feet.She stands alone: bathed, blooming,burdened with nothing of this world.Her body is naked and beautiful,her wings gray and scorched,her brown eyes piercing the brown of mine.I watch her departure, her flapping wings:She doesn’t look back, not even once,not even to whisper my name: Brenda.I lick the teeth of my piano mouth.With a painter’s hands,with a writer’s handswith rusty wrinkled hands,with hands soaked in the joys,the sorrows, the spillsof my mother’s life,I pick up eighty-one years of stainsAnd pull her dress over my head.Her stains look good on me.

Nobody reads poetry, we are told at every inopportune moment. I read poetry. I am somebody. I am the people, too. It can be allowed that an industrious quantity of contemporary American poetry is consciously written for a hermetic constituency; the bulk is written for the bourgeoisie, leaving a lean cut for labor. Only the hermetically aimed has a snowball's chance in hell of reaching its intended ears. One proceeds from this realization. A staggering figure of vibrant, intelligent people can and do live without poetry, especially without the poetry of their time. This figure includes the unemployed, the rank and file, the union brass, banker, scientist, lawyer, doctor, architect, pilot, and priest. It also includes most academics, most of the faculty of the humanities, most allegedly literary editors and most allegedly literary critics. They do so--go forward in their lives, toward their great reward, in an engulfing absence of poetry--without being perceived or perceiving themselves as hobbled or deficient in any significant way. It is nearly true, though I am often reminded of a Transtromer broadside I saw in a crummy office building in San Francisco:We got dressed and showed the houseYou live well the visitor saidThe slum must be inside you.If I wanted to understand a culture, my own for instance, and if I thought such an understanding were the basis for a lifelong inquiry, I would turn to poetry first. For it is my confirmed bias that the poets remain the most 'stunned by existence,' the most determined to redeem the world in words..

Tonight I can write the saddest lines.Write, for example,'The night is shatteredand the blue stars shiver in the distance.'The night wind revolves in the sky and sings.Tonight I can write the saddest lines.I loved her, and sometimes she loved me too.Through nights like this one I held her in my armsI kissed her again and again under the endless sky.She loved me sometimes, and I loved her too.How could one not have loved her great still eyes.Tonight I can write the saddest lines.To think that I do not have her. To feel that I have lost her.To hear the immense night, still more immense without her.And the verse falls to the soul like dew to the pasture.What does it matter that my love could not keep her.The night is shattered and she is not with me.This is all. In the distance someone is singing. In the distance.My soul is not satisfied that it has lost her.My sight searches for her as though to go to her.My heart looks for her, and she is not with me.The same night whitening the same trees.We, of that time, are no longer the same.I no longer love her, that's certain, but how I loved her.My voice tried to find the wind to touch her hearing.Another's. She will be another's. Like my kisses before.Her voide. Her bright body. Her inifinite eyes.I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long.Because through nights like this one I held her in my armsmy sould is not satisfied that it has lost her.Though this be the last pain that she makes me sufferand these the last verses that I write for her.

Hey you, dragging the halo-how about a holiday in the islands of grief? Tongue is the word I wish to have with you.Your eyes are so blue they leak.Your legs are longer than a prisoner'slast night on death row.I'm filthier than the coal miner's bathtuband nastier than the breath of Charles Bukowski.You're a dirty little windshield.I'm standing behind you on the subway, hard as calculus. My breathbe sticking to your neck like graffiti.I'm sitting opposite you in the bar, waiting for you to uncross your boundaries.I want to rip off your logicand make passionate sense to you.I want to ride in the swing of your hips.My fingers will dig in you like quotation marks, blazing your limbs into parts of speech.But with me for a lover, you won't needcatastrophes. What attracted me in the first placewill ultimately make me resent you.I'll start telling you lies, and my lies will sparkle, become the bad stars you chart your life by.I'll stare at other women so blatantlyyou'll hear my eyes peeling, because sex with you is like Great Britain: cold, groggy, and a little uptight.Your bed is a big, soft calculatorwhere my problems multiply.Your brain is a garageI park my bullshit in, for free.You're not really my new girlfriend, just another flop sequel of the first one, who was based on the true story of my mother.You're so ugly I forgot how to spell.I'll cheat on you like a ninth grade math test, break your heart just for the sound it makes.You're the 'this' we need to put an end to.The more you apologize, the less I forgive you.So how about it?

Tonight I Can WriteTonight I can write the saddest lines.Write, for example, 'The night is starry and the stars are blue and shiver in the distance.'The night wind revolves in the sky and sings.Tonight I can write the saddest lines.I loved her, and sometimes she loved me too.Through nights like this one I held her in my arms.I kissed her again and again under the endless sky.She loved me, sometimes I loved her too.How could one not have loved her great still eyes.Tonight I can write the saddest lines.To think that I do not have her. To feel that I have lost her.To hear the immense night, still more immense without her.And the verse falls to the soul like dew to the pasture.What does it matter that my love could not keep her.The night is starry and she is not with me.This is all. In the distance someone is singing. In the distance.My soul is not satisfied that it has lost her.My sight tries to find her as though to bring her closer.My heart looks for her, and she is not with me.The same night whitening the same trees.We, of that time, are no longer the same.I no longer love her, that's certain, but how I loved her.My voice tried to find the wind to touch her hearing.Another's. She will be another's. As she was before my kisses.Her voice, her bright body. Her infinite eyes.I no longer love her, that's certain, but maybe I love her.Love is so short, forgetting is so long.Because through nights like this one I held her in my armsmy soul is not satisfied that it has lost her.Though this be the last pain that she makes me sufferand these the last verses that I write for her.