WARMING UP TO the crèche turned out to be easy. Warming up to the other mothers there isn’t. I’m aware that Anglo-American-style instant bonding between women doesn’t happen in France. I’ve heard that female friendships here start out slowly, and can take years to ramp up. (Though once you’re finally ‘in’ with a French woman, you’re supposedly stuck with her for life. Whereas your English-speaking insta-friends can drop you at any time.)
...[G]reat progress was evident in the last Congress of the American 'Labour Union' in that among other things, it treated working women with complete equality. While in this respect the English, and still more the gallant French, are burdened with a spirit of narrow-mindedness. Anybody who knows anything of history knows that great social changes are impossible without the feminine ferment. Social progress can be measured exactly by the social position of the fair sex (the ugly ones included).
His brown eyes would roam around the various sentimental and artistic bric-a-brac present, and his own banal toiles (the conventionally primitive eyes, sliced guitars, blue nipples and geometrical designs of the day), and with a vague gesture toward a painted wooden bowl or veined vase, he would say "Prenez donc une des ces poires. La bonne dame d'en face m'en offre plus que je n'en peux savourer." Or: "Mississe Taille Lore vient de me donner ces dahlias, belles fleurs que j'exècre.
Que les poètes morts laissent la place aux autres. Et nous pourrions tout de même voir que c'est notre vénération devant ce qui a été déjà fait, si beau et si valable que ce soit, qui nous pétrifie, qui nous stabilise et nous empêche de prendre contact avec la force qui est dessous, que l'on appelle l'énergie pensante, la force vitale, le déterminisme des échanges, les menstrues de la lune ou tout ce qu'on voudra.
Adieu, mon cher vieux. Relis et rebûche ton conte. Laisse-le reposer et reprends-le, les livres ne se font pas comme les enfants, mais comme les pyramides, avec un dessin prémédité, et en apportant des grands blocs l´un par-dessus l´autre, à force de reins, de temps et de sueur, et ça ne sert à rien! et ça reste dans le désert! mais en le dominant prodigieusement. Les chacals pissent au bas et les bourgeois montent dessus, etc.; continue la comparaison.
Un soir qu'ils étaient couchés l'un près de l'autre, comme elle lui demandait d'inventer un poème qui commencerait par je connais un beau pays, il s'exécuta sur-le-champ. Je connais un beau pays Il est de l'or et d'églantine Tout le monde s'y sourit Ah quelle aventure fine Les tigres y sont poltrons Les agneaux ont fière mine À tous les vieux vagabonds Ariane donne des tartines. Alors, elle lui baisa le la main, et il eut honte de cette admiration.
To call the population of strangers in the midst of which we live "society" is such a usurpation that even the sociologists wonder if they should abandon a concept that was, for a century, their bread and butter. Now they prefer the metaphor of a network to describe the connection of cybernetic solitudes, the intermeshing of weak interactions under names like "colleague," "contact," "buddy," acquaintance," or "date." Such networks sometimes condense into a milieu, where nothing is shared but codes, and where nothing is played out except the incessant recomposition of identity.
I know of no other place that is so fascinating yet so frustrating, so aware of the world and its own place within it but at the same time utterly insular. A country touched by nostalgia, with a past so great - so marked by brilliance and achievement - that French people today seem both enriched and burdened by it. France is like a maddening, moody lover who inspires emotional highs and lows. One minute it fills you with a rush of passion, the next you're full of fury, itching to smack the mouth of some sneering shopkeeper or smug civil servant. Yes, it's a love-hate relationship.
The past has given us much too many bad answers for us not to see that the mistakes were in the questions themselves. There is no need to choose between the fetishism of spontaneity and the organization control; between the "come one, come all" of activist networks and the discipline of hierarchy; between acting desperately now and waiting desperately for later; between bracketing that which is to be lived and experimented in the name of paradise that seems more and more like a hell the longer it is put off and flogging the dead horse of how planting carrots is enough to leave this nightmare.
Mon être ne subsiste que sous un point de vue suprême qui est justement incompatible avec mon point de vue. La perspective dans laquelle je m’évanouis à mes yeux, me restaure, image complète, pour l’œil irréel auquel j’interdis toute image. Image complète par rapport à un monde sans image qui me figure dans l’absence de toute figure imaginable. Être d’un non-être dont je suis l’infime négation qu’il suscite comme sa profonde harmonie. Dans la nuit deviendrais-je l’univers?
The English language is like London: proudly barbaric yet deeply civilised, too, common yet royal, vulgar yet processional, sacred yet profane. Each sentence we produce, whether we know it or not, is a mongrel mouthful of Chaucerian, Shakespearean, Miltonic, Johnsonian, Dickensian and American. Military, naval, legal, corporate, criminal, jazz, rap and ghetto discourses are mingled at every turn. The French language, like Paris, has attempted, through its Academy, to retain its purity, to fight the advancing tides of Franglais and international prefabrication. English, by comparison, is a shameless whore.
When you are old, at evening candle-lit beside the fire bending to your wool,read out my verse and murmur, "Ronsard writ this praise for me when I was beautiful."And not a maid but, at the sound of it, though nodding at the stitch on broidered stool,will start awake, and bless love's benefit whose long fidelities bring Time to school.I shall be thin and ghost beneath the earth by myrtle shade in quiet after pain,but you, a crone, will crouch beside the hearth mourning my love and all your proud disdain.And since what comes to-morrow who can say?Live, pluck the roses of the world to-day.
She had probably referred to herself as Mrs. Scott Landon less than half a dozen times in all the years of her married life, and never once during the twenty-six months of her widowhood. It wasn't hard to understand why she had done so now. It was what Scott called "the fame-card," and he himself had played it sparingly. Partly, he said, because doing so made him feel like a conceited asshole, and partly because he was afraid it wouldn't work; that if he murmured some version of Don't you know who I am? in the headwaiter's ear, the headwaiter would murmur back, Non, Monsieur - who ze fuck air you?
Hauriou, became a crown witness for us when he confirmed this connection in 1916, in the midst of WWI: “The revolution of 1789 had no other goal than absolute access to the writing of legal statutes and the systematic destruction of customary institutions. It resulted in a state of permanent revolution because the mobility of the writing of laws did not provide for the stability of certain customary institutions, because the forces of change were stronger than the forces of stability. Social and political life in France was completely emptied of institutions and was only able to provisionally maintain itself by sudden jolts spurred by the heightened morality.
The French approach to food is characteristic; they bring to their consideration of the table the same appreciation, respect, intelligence and lively interest that they have for the other arts, for painting, for literature, and for the theatre. We foreigners living in France respect and appreciate this point of view but deplore their too strict observance of a tradition which will not admit the slightest deviation in a seasoning or the suppression of a single ingredient. Restrictions aroused our American ingenuity, we found combinations and replacements which pointed in new directions and created a fresh and absorbing interest in everything pertaining to the kitchen.
